{"id":10290,"date":"2021-04-17T14:49:42","date_gmt":"2021-04-17T12:49:42","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=10290"},"modified":"2021-05-11T19:22:20","modified_gmt":"2021-05-11T17:22:20","slug":"v-dubnu-v-medellinu-oficialne-zacina-rok-fernanda-botera","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2021\/04\/v-dubnu-v-medellinu-oficialne-zacina-rok-fernanda-botera\/","title":{"rendered":"V Medell\u00ednu ofici\u00e1ln\u011b za\u010d\u00edn\u00e1 Boter\u016fv rok"},"content":{"rendered":"

\"\"Pandemie v Kolumbii pokra\u010duje i v dubnu. Situace se nav\u00edc v \u0159ad\u011b m\u00edst zem\u011b zhor\u0161uje, na\u0159\u00edzen\u00ed se op\u011bt mnohde zp\u0159\u00eds\u0148uj\u00ed a kulturn\u00ed \u017eivot je tak v cel\u00e9 zemi zna\u010dn\u011b omezen. Ani tyto podm\u00ednky v\u0161ak nezabr\u00e1nily vyhl\u00e1\u0161en\u00ed roku 2021 za Rok Botera, tedy rok v\u011bnovan\u00fd jedine\u010dn\u00e9mu talentu a um\u011bn\u00ed mistra Fernanda Botera. Tento, podle mnoh\u00fdch, nejd\u016fle\u017eit\u011bj\u0161\u00ed mal\u00ed\u0159 a socha\u0159 v historii Kolumbie poch\u00e1z\u00ed z kraje Antioquia. A pr\u00e1v\u011b v Medell\u00ednu, hlavn\u00edm m\u011bst\u011b tohoto kraje, vzd\u00e1v\u00e1 od dubna kulturn\u00ed a um\u011bleck\u00e1 agenda m\u011bsta poctu Boterovu d\u00edlu.<\/p>\n

Cel\u00fd projekt p\u0159itom zahrnuje n\u011bkolik aspekt\u016f. Na jedn\u00e9 stran\u011b jde o snahu ocenit m\u00edstn\u00ed talenty sv\u011bta um\u011bn\u00ed. Z\u00e1rove\u0148 se mistr Botero pomalu bl\u00ed\u017e\u00ed devades\u00e1tin\u00e1m (za p\u00e1r dn\u00ed oslav\u00ed 89 let) a z\u00e1stupci m\u011bsta c\u00edt\u00ed, \u017ee mu dlu\u017e\u00ed velk\u00e9 pod\u011bkov\u00e1n\u00ed a uzn\u00e1n\u00ed za v\u0161e, co pro m\u011bsto Medell\u00edn ud\u011blal, a\u0165 u\u017e se jedn\u00e1 o jeho d\u00edla, ale tak\u00e9 dary, finance a schopnosti. Botero v\u017edy m\u011bsto podporoval, tak\u017ee je nejvy\u0161\u0161\u00ed \u010das um\u011blci jeho p\u0159\u00ednos n\u011bjak oplatit.<\/p>\n

V pr\u016fb\u011bhu roku proto v\u0161echny velk\u00e9 ud\u00e1losti kulturn\u00edho kalend\u00e1\u0159e, jako je Veletrh kv\u011btin \u010di kni\u017en\u00ed veletrh Fiesta del Libro y Altavoz, budou tematicky lad\u011bn\u00e9 pr\u00e1v\u011b ve spojitosti s Boterem. Organiz\u00e1to\u0159i p\u0159itom spolupracovali i se samotn\u00fdm mistrem a to prost\u0159ednictv\u00edm jeho dcery Liny Botero de Zea, kter\u00e1 celou iniciativu podpo\u0159ila. Do projektu se zapojilo i Muzeum kraje Antioquia (Museo de Antioquia), kter\u00e9 vlastn\u00ed pr\u00e1va k reprodukci Boterov\u00fdch d\u011bl.<\/p>\n

\"\"Program d\u00e1le zahrnuje velk\u00e9 zrestaurov\u00e1n\u00ed robustn\u00edch a v\u00fdrazn\u00fdch soch mistra, kter\u00e9 se nach\u00e1z\u00ed na r\u016fzn\u00fdch ve\u0159ejn\u00fdch m\u00edstech m\u011bsta, zejm\u00e9na v\u0161ak na N\u00e1m\u011bst\u00ed Botera a v Parku San Antonio. C\u00edlem je restaura\u010dn\u00ed pr\u00e1ce pojmout jako \u0161kolu, u\u010debnu, kde lid\u00e9 uvid\u00ed, jak pr\u00e1ce pokra\u010duj\u00ed. N\u011bkter\u00e1 d\u00edla maj\u00ed p\u0159itom velmi hlubok\u00fd v\u00fdznam. Nap\u0159\u00edklad socha nazvan\u00e1\u00a0Pedrito Botero<\/em> je poctou vlastn\u00edmu synovi um\u011blce, kter\u00fd v pouh\u00fdch \u010dty\u0159ech letech zahynul p\u0159i nehod\u011b v Madridu. Tato ud\u00e1lost Botera siln\u011b zas\u00e1hla a ovliv\u0148uje ho dote\u010f. V prvn\u00edm roce po tomto ne\u0161t\u011bst\u00ed se ve sv\u00fdch malb\u00e1ch dokonce zam\u011b\u0159il \u010dist\u011b jen na ztv\u00e1rn\u011bn\u00ed sv\u00e9ho syna.<\/p>\n

Metro m\u011bsta Medell\u00ednu se zapoj\u00ed do aktivit spojen\u00fdch p\u0159ev\u00e1\u017en\u011b s v\u00fdtvarnou tvorbou. Chystaj\u00ed se tak\u00e9 k\u0159esty knih, prom\u00edt\u00e1n\u00ed dokument\u016f, debaty, p\u0159edn\u00e1\u0161ky a dal\u0161\u00ed um\u011bleck\u00e9 aktivity. V pl\u00e1nu je nap\u0159\u00edklad dov\u00e9zt cyklus obraz\u016f s n\u00e1zvem\u00a0K\u0159\u00ed\u017eov\u00e1 cesta, v\u00e1\u0161e\u0148 Krista<\/em> (Viacrucis, la pasi\u00f3n de Cristo<\/em>) a\u017e do Bogoty a dal\u0161\u00edch region\u016f zem\u011b. I kdy\u017e nebylo potvrzeno, \u017ee by s\u00e1m Botero letos do m\u011bsta kv\u016fli pandemii a jeho pokro\u010dil\u00e9mu v\u011bku zav\u00edtal, je p\u0159ipraven cyklus debat jeho p\u0159\u00e1tel. Organiz\u00e1to\u0159i z\u00e1rove\u0148 v\u011b\u0159\u00ed, \u017ee nabit\u00fd program pom\u016f\u017ee podpo\u0159it cestovn\u00ed ruch ve m\u011bst\u011b zasa\u017een\u00e9m dlouhodobou pandemi\u00ed covidu-19.<\/p>\n

Fernando Botero se narodil 19. dubna 1932 v Medell\u00ednu. V dob\u011b jeho ml\u00e1d\u00ed sice kari\u00e9ra um\u011blce nebyla pova\u017eov\u00e1na zrovna za presti\u017en\u00ed povol\u00e1n\u00ed, i p\u0159esto ho v\u0161ak rodi\u010de v jeho v\u00e1\u0161ni podpo\u0159ili. Je\u0161t\u011b jako adolescent se stal ilustr\u00e1torem liter\u00e1rn\u00ed p\u0159\u00edlohy medell\u00ednsk\u00e9ho den\u00edku El Colombiano, ve sv\u00fdch 19 letech p\u0159edstavil prvn\u00ed samostatnou v\u00fdstavu maleb v Galerii Leo Matiz v Bogot\u011b. Kr\u00e1tce \u017eil na severn\u00edm kolumbijsk\u00e9m pob\u0159e\u017e\u00ed v m\u011bste\u010dku Tol\u00fa, kde vznikl obraz Naproti mo\u0159e<\/em>, ocen\u011bn\u00fd v mal\u00ed\u0159sk\u00e9 sout\u011b\u017ei.<\/p>\n

\"\"N\u00e1sledn\u011b odcestoval do Evropy, kde kr\u00e1tce studoval na um\u011bleck\u00fdch akademi\u00edch v Madridu \u010di Florencii, pob\u00fdval tak\u00e9 v Barcelon\u011b \u010di Pa\u0159\u00ed\u017ei. Vzd\u011bl\u00e1val se v\u0161ak p\u0159ev\u00e1\u017en\u011b jako samouk. Cesty ho pak zavedly i do Mexika, New Yorku a Washingtonu. Po n\u00e1vratu do rodn\u00e9 zem\u011b z\u00edskal dal\u0161\u00ed ocen\u011bn\u00ed a jeho um\u011bleck\u00fd styl se ust\u00e1lil. Za\u010dal se zaj\u00edmat tak\u00e9 o socha\u0159stv\u00ed, kter\u00e9mu se od roku 1975 v\u011bnoval naplno. V 90. letech mohli jeho d\u00edla obdivovat n\u00e1v\u0161t\u011bvn\u00edci obrovsk\u00fdch v\u00fdstav v Pa\u0159\u00ed\u017ei, New Yorku, Buenos Aires \u010di Madridu.<\/p>\n

Z prvn\u00edho man\u017eelstv\u00ed m\u00e1 Botero dva syny a jednu dceru. Za jeho m\u00edsty odm\u011b\u0159en\u00fdm v\u00fdrazem v obli\u010deji se skr\u00fdv\u00e1 v\u00fdjime\u010dn\u00e1 skromnost, lidskost i v\u00fdborn\u00fd smysl pro humor t\u00e9to jedine\u010dn\u00e9 osobnosti kolumbijsk\u00e9 kultury. Pat\u0159\u00ed tak\u00e9 k v\u00fdznamn\u00fdm filantrop\u016fm. Jedn\u00edm z jeho nejv\u00fdznamn\u011bj\u0161\u00edch dar\u016f je nap\u0159\u00edklad sb\u00edrka 208 d\u011bl (z nich\u017e je u 123 autorem), kter\u00e1 je vystavena v Boterov\u011b muzeu v centru Bogoty.<\/p>\n

Proslavil se zejm\u00e9na sv\u00fdm osobit\u00fdm stylem, kter\u00fd vynik\u00e1 zv\u011bt\u0161en\u00fdmi \u010di deformovan\u00fdmi objemy postav i p\u0159edm\u011bt\u016f, je\u017e na prvn\u00ed pohled zaujmou kulat\u00fdmi tvary. Z\u00edskal si proto pozitivn\u00ed ohlasy i obdiv jak z \u0159ad kritik\u016f, tak i od \u0161irok\u00e9 ve\u0159ejnosti. Ve sv\u00fdch d\u00edlech \u010dasto zpracov\u00e1v\u00e1 soci\u00e1ln\u00ed problematiku sv\u00e9 zem\u011b i jin\u00fdch kout\u016f sv\u011bta, ale tak\u00e9 lidsk\u00e1 t\u00e9mata.<\/p>\n

Zdroje: DiarioADN.co<\/a>, Vanguardia.com<\/a>. Foto 1<\/a>, foto 2<\/a>, foto 3<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pandemie v Kolumbii pokra\u010duje i v dubnu. Situace se nav\u00edc v \u0159ad\u011b m\u00edst zem\u011b zhor\u0161uje, na\u0159\u00edzen\u00ed se op\u011bt mnohde zp\u0159\u00eds\u0148uj\u00ed a kulturn\u00ed \u017eivot je tak v cel\u00e9 zemi zna\u010dn\u011b omezen. Ani tyto podm\u00ednky v\u0161ak nezabr\u00e1nily vyhl\u00e1\u0161en\u00ed roku 2021 za Rok Botera, tedy rok v\u011bnovan\u00fd jedine\u010dn\u00e9mu talentu a um\u011bn\u00ed mistra Fernanda Botera. Tento, podle mnoh\u00fdch, nejd\u016fle\u017eit\u011bj\u0161\u00ed…<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,6,15,3],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/10290"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=10290"}],"version-history":[{"count":10,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/10290\/revisions"}],"predecessor-version":[{"id":10347,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/10290\/revisions\/10347"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=10290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=10290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=10290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}