{"id":10349,"date":"2021-04-06T10:05:27","date_gmt":"2021-04-06T08:05:27","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=10349"},"modified":"2021-05-12T05:02:05","modified_gmt":"2021-05-12T03:02:05","slug":"vzpominka-na-kolumbijskeho-umelce-antonio-caro","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2021\/04\/vzpominka-na-kolumbijskeho-umelce-antonio-caro\/","title":{"rendered":"Antonio Caro – vzpom\u00ednka na kolumbijsk\u00e9ho um\u011blce"},"content":{"rendered":"

\"\"Na konci b\u0159ezna zem\u0159el Antonio Caro, pion\u00fdr konceptu\u00e1ln\u00edho um\u011bn\u00ed a jeden z nejv\u00fdznamn\u011bj\u0161\u00edch um\u011blc\u016f Kolumbie. S\u00e1m um\u011blec \u0159\u00edk\u00e1val, \u017ee za sv\u016fj \u00fasp\u011bch vd\u011b\u010d\u00ed jak n\u00e1hod\u011b, tak sv\u00e9mu vrozen\u00e9mu novin\u00e1\u0159sk\u00e9mu \u010dichu. Um\u011bl velmi dob\u0159e \u010d\u00edst situace v zemi, rozum\u011bl tomu, jak politika a ekonomika ovliv\u0148uj\u00ed \u017eivoty Kolumbijc\u016f. Byl si z\u00e1rove\u0148 v\u011bdom\u00fd v\u00fdznamu boje za pr\u00e1va indi\u00e1nsk\u00fdch komunit pro historii Kolumbie a tak\u00e9 se sna\u017eil chr\u00e1nit p\u0159\u00edrodn\u00ed bohatstv\u00ed zem\u011b, kdy upozor\u0148oval na rostouc\u00ed z\u00e1jem o t\u011b\u017ebu nerostn\u00fdch zdroj\u016f.<\/p>\n

Jako um\u011blec tak dok\u00e1zal pouk\u00e1zat na realitu takovou, jak\u00e1 je, a d\u011blal to skute\u010dn\u011b mistrn\u011b. Kombinoval svou jedine\u010dnou schopnost vid\u011bt vizu\u00e1ln\u00ed potenci\u00e1l ve slovech se sv\u00fdmi znalostmi v\u00fdznamu barev a svou schopnost\u00ed p\u0159en\u00e1\u0161et jednoduch\u00e9 a stru\u010dn\u00e9 zpr\u00e1vy. Ty opakoval znovu a znovu, aby se ujistil, \u017ee z\u016fstaly zapsan\u00e9 v pam\u011bti div\u00e1ka a stanou se sou\u010d\u00e1st\u00ed kolektivn\u00ed pam\u011bti Kolumbie.<\/p>\n

Ve sv\u00fdch d\u00edlech dok\u00e1zal zachytit sociopolitick\u00e9 a kulturn\u00ed procesy tak dob\u0159e, \u017ee jeho kousky p\u0159i ka\u017ed\u00e9 nov\u00e9 p\u0159\u00edle\u017eitosti nab\u00fdvaly lehce odli\u0161n\u00fd t\u00f3n v souvislosti s aktu\u00e1ln\u00edm kontextem. Jak s\u00e1m Caro \u0159\u00edkal, p\u0159i kompozici d\u011bl vych\u00e1zel z prvk\u016f, kter\u00e9 v\u011bt\u0161ina Kolumbijc\u016f znala a byla schopn\u00e1 lehce identifikovat.<\/p>\n

\"\"<\/p>\n

Jedn\u00edm z p\u0159\u00edklad\u016f je t\u0159eba jeho slavn\u00e9 d\u00edlo Colombia<\/em>, v r\u00e1mci kter\u00e9ho napsal jm\u00e9no zem\u011b typografi\u00ed zna\u010dky Coca-Cola. Inspirov\u00e1n um\u011blci pop artu, jako byl Andy Warhol \u010di Robert Indiana, pou\u017eil styl slavn\u00fdch sodovek se z\u00e1m\u011brem mluvit o vtrhnut\u00ed zahrani\u010dn\u00edch symbol\u016f do domn\u011bl\u00e9 n\u00e1rodn\u00ed identity.<\/p>\n

V r\u00e1mci sv\u00e9 t\u00e9m\u011b\u0159 pades\u00e1t let dlouh\u00e9 kari\u00e9ry se proslavil tak\u00e9 cyklem z roku 1978 nazvan\u00fdm V\u0161e je moc drah\u00e9<\/em>, ve \u0161pan\u011bl\u0161tin\u011b Todo est\u00e1 muy caro<\/em>. Hraje si tak se sv\u00fdm p\u0159\u00edjmen\u00edm a lidov\u00fdm r\u010den\u00edm a poukazuje na ekonomickou situaci v zemi prost\u0159ednictv\u00edm humoru. Odkazoval se tak\u00e9 na hnut\u00ed boje za pr\u00e1va p\u016fvodn\u00edch obyvatel, nap\u0159\u00edklad tvorbou Pocta pro Manuela Quint\u00edna Lame<\/em> z roku 1979.<\/p>\n

Caro se sna\u017eil p\u0159im\u011bt publikum, aby analyzovalo a p\u0159em\u00fd\u0161lelo o pravd\u00e1ch, kter\u00e9 um\u011blecky zobrazoval. Proto se tento rod\u00e1k z Bogoty s\u00e1m ozna\u010doval sp\u00ed\u0161e za kejkl\u00ed\u0159e, ne\u017e za tv\u016frce, jeho d\u00edla p\u0159esahovala sv\u011bt um\u011bn\u00ed. Ostatn\u011b, v\u011bnoval se textu\u00e1ln\u00edmu a mnohorozm\u011brn\u00e9mu um\u011bn\u00ed, ale tak\u00e9 performance<\/em> a d\u00edl\u016fm zahrnuj\u00edc\u00edm interakci s div\u00e1ky. V r\u00e1mci jeho konceptu\u00e1ln\u00ed strategie tvo\u0159\u00ed z\u00e1klad ji\u017e zm\u00edn\u011bn\u00e9 opakov\u00e1n\u00ed, kter\u00e9 m\u011blo pos\u00edlit p\u0159ed\u00e1van\u00fd vzkaz a z\u00e1rove\u0148 zd\u016fraznit jeho v\u00fdznam. V jeho d\u00edlech se zrcadl\u00ed t\u00e9mata m\u011bsta, indi\u00e1nsk\u00fdch komunit, antropologie a podobn\u011b. S humorem a kritikou kombinuje soci\u00e1ln\u00ed, politick\u00e9 i historick\u00e9 aspekty n\u00e1rodn\u00ed reality.<\/p>\n

Antonio Caro se narodil v prosinci 1950 v hlavn\u00edm kolumbijsk\u00e9m m\u011bst\u011b. O um\u011bn\u00ed se za\u010dal zaj\u00edmat v 16 letech. N\u00e1sledn\u011b nastoupil na Kolumbijskou n\u00e1rodn\u00ed univerzitu jako student um\u011bn\u00ed, ale studia nedokon\u010dil. Nicm\u00e9n\u011b p\u0159ibl\u00ed\u017eil se t\u00edm politick\u00fdm hnut\u00edm a z\u00edskal vlivn\u00e9ho mentora jm\u00e9nem Bernado Salcedo. Ten uvedl Cara do um\u011bn\u00ed zalo\u017een\u00e9ho na textu na konci 60. let minul\u00e9ho stolet\u00ed.<\/p>\n

\"\"Jeho prvn\u00ed d\u00edlo, vytvo\u0159en\u00e9 ze soli, bylo p\u0159edstaven\u00e9 na v\u00fdstav\u011b v roce 1971 a pat\u0159ilo k prvn\u00edm sv\u00e9ho typu v Kolumbii. Jednalo se o sochu hlavy b\u00fdval\u00e9ho presidenta Carlose Llerase Restrepa, ulo\u017eenou ve sklen\u011bn\u00e9 n\u00e1dob\u011b, kterou v den inaugurace naplnil vodou. D\u00edlo se tak rozpustilo a s n\u00edm i autorita a inteligence b\u00fdval\u00e9 hlavy st\u00e1tu.<\/p>\n

Velk\u00e1 \u010d\u00e1st jeho tvorby je v sou\u010dasnosti vystavena v Muze\u00edch Centr\u00e1ln\u00ed banky, v galerii Casas Riegner, v Muzeu modern\u00edho um\u011bn\u00ed Bogoty, muzeu Museo la Tertulia, Daros Latinoam\u00e9rica a dal\u0161\u00edch. V roce 1998 obdr\u017eel presti\u017en\u00ed Guggenheimovo stipendium, grant ud\u011blovan\u00fd t\u011bm, kte\u0159\u00ed p\u0159edvedli v\u00fdjime\u010dnou schopnost tvo\u0159iv\u00e9ho b\u00e1d\u00e1n\u00ed, v\u00fdjime\u010dnou um\u011bleckou kreativitu. Byl aktivn\u00ed je\u0161t\u011b i v minul\u00e9m roce, kdy se z\u00fa\u010dastnil projektu organizovan\u00e9ho Muzeem modern\u00edho um\u011bn\u00ed Bogoty a den\u00edkem El Tiempo, kter\u00fd vyz\u00fdval um\u011blce zamyslet se nad pandemi\u00ed. Caro reflektoval situaci nap\u0159\u00edklad grafick\u00fdm zn\u00e1zorn\u011bn\u00edm toho, \u017ee v karant\u00e9n\u011b jsem J\u00e1 s j\u00e1<\/em> (Yo con yo<\/em>). Zem\u0159el 29. b\u0159ezna v bogotsk\u00e9 nemocnici ve v\u011bku 70 let.<\/p>\n

Zdroje: Semana.com<\/a>, ElEspectador.com<\/a>, Infobae.com<\/a>. Foto 1<\/a>, foto 2<\/a>, foto 3<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Na konci b\u0159ezna zem\u0159el Antonio Caro, pion\u00fdr konceptu\u00e1ln\u00edho um\u011bn\u00ed a jeden z nejv\u00fdznamn\u011bj\u0161\u00edch um\u011blc\u016f Kolumbie. S\u00e1m um\u011blec \u0159\u00edk\u00e1val, \u017ee za sv\u016fj \u00fasp\u011bch vd\u011b\u010d\u00ed jak n\u00e1hod\u011b, tak sv\u00e9mu vrozen\u00e9mu novin\u00e1\u0159sk\u00e9mu \u010dichu. Um\u011bl velmi dob\u0159e \u010d\u00edst situace v zemi, rozum\u011bl tomu, jak politika a ekonomika ovliv\u0148uj\u00ed \u017eivoty Kolumbijc\u016f. Byl si z\u00e1rove\u0148 v\u011bdom\u00fd v\u00fdznamu boje za pr\u00e1va indi\u00e1nsk\u00fdch…<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,6,3],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/10349"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=10349"}],"version-history":[{"count":10,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/10349\/revisions"}],"predecessor-version":[{"id":10362,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/10349\/revisions\/10362"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=10349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=10349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=10349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}