{"id":10407,"date":"2021-05-25T16:47:08","date_gmt":"2021-05-25T14:47:08","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=10407"},"modified":"2021-06-09T06:45:03","modified_gmt":"2021-06-09T04:45:03","slug":"bogotsky-festival-jazzu-se-presunul-do-virtualniho-prostredi","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2021\/05\/bogotsky-festival-jazzu-se-presunul-do-virtualniho-prostredi\/","title":{"rendered":"Bogotsk\u00fd festival jazzu se p\u0159esunul do virtu\u00e1ln\u00edho prost\u0159ed\u00ed"},"content":{"rendered":"

\"\"V leto\u0161n\u00edm roce slav\u00ed zn\u00e1m\u00fd festival Jazz do parku (Jazz al Parque) ji\u017e 25 let. Kv\u016fli p\u0159etrv\u00e1vaj\u00edc\u00ed koronavirov\u00e9 pandemii se v\u0161ak oslavy p\u0159em\u00edstily z parku do virtu\u00e1ln\u00edho sv\u011bta. Akce nazvan\u00e1 Jazz mutante, po\u0159\u00e1dan\u00e1 m\u00edstn\u00edm institutem um\u011bn\u00ed, prov\u00e1z\u00ed z\u00e1jemce histori\u00ed t\u00e9to bogotsk\u00e9 kulturn\u00ed ud\u00e1losti a ukazuje jej\u00ed vliv na rozvoj jazzu nejen v Kolumbii, ale i v cel\u00e9 Latinsk\u00e9 Americe. Tento projekt tak nab\u00edz\u00ed \u0161irok\u00e9 ve\u0159ejnosti jedine\u010dn\u00e9 z\u00e1\u017eitky a z\u00e1rove\u0148 je hudebn\u00edm n\u00e1strojem a prostorem vzpom\u00ednek, kter\u00fd m\u00e1 p\u0159isp\u011bt k dal\u0161\u00edmu rozvoji tvorby a v\u00fdzkumu tohoto hudebn\u00edho \u017e\u00e1nru.<\/p>\n

Od sv\u00e9ho vzniku se stal festival v\u00fdznamnou platformou pro podporu a propagaci nov\u00fdch i zaveden\u00fdch jazzov\u00fdch projekt\u016f m\u011bsta. Sou\u010dasn\u00fd projekt v digit\u00e1ln\u00ed podob\u011b umo\u017e\u0148uje poznat v\u00edce do hloubky historii \u017e\u00e1nru, jeho vliv i rozvoj hudebn\u00edho jazyka, kter\u00fd se neust\u00e1le m\u011bn\u00ed a vyv\u00edj\u00ed. Na str\u00e1nce festivalu (zde<\/a>) naleznete zaj\u00edmav\u00fd multimedi\u00e1ln\u00ed obsah, kter\u00fd si v\u0161ichni mohou vychutnat p\u0159\u00edmo z pohodl\u00ed domova a to zcela zdarma.<\/p>\n

\"\"Nab\u00eddka zahrnuje nap\u0159\u00edklad audiovizu\u00e1ln\u00ed cyklus, kter\u00fd m\u00e1 4 kapitoly dlouh\u00e9 osm minut. Ty p\u0159in\u00e1\u0161\u00ed podrobnosti o tv\u016fr\u010d\u00ed kari\u00e9\u0159e zp\u011bva\u010dky Giny Savino, klav\u00edristy Nicol\u00e1se Ospiny, hudebn\u00ed skupiny Mula a fl\u00e9tnistky Any Mar\u00ede Oramas. Cyklus chce pouk\u00e1zat na to, \u017ee jazz je p\u0159irozen\u00fdm n\u00e1strojem integrace s jin\u00fdmi hudebn\u00edmi jazyky. Na str\u00e1nce najdete take s\u00e9rii podcast\u016f, vytvo\u0159enou ve spolupr\u00e1ci s r\u00e1diem Caracol. Jednotliv\u00e9 d\u00edly seznamuj\u00ed s histori\u00ed cel\u00e9ho festivalu, kter\u00fd zobrazuj\u00ed nejen jako vitr\u00ednu pro propagaci jazzu, ale tak\u00e9 jako ud\u00e1lost schopnou m\u011bnit \u017eivoty a b\u00fdt motorem pro kolektivn\u00ed i individu\u00e1ln\u00ed iniciativy r\u016fzn\u00e9ho typu. M\u016f\u017eete si poslechnout \u017eivotn\u00ed p\u0159\u00edb\u011bhy osobnost\u00ed, kter\u00e9 se pod\u00edlely na p\u0159em\u011bn\u011b n\u00e1rodn\u00edho jazzu, o roli \u017eensk\u00fdch zp\u011bva\u010dek na festivalu, nebo poznat kompletn\u00ed hudebn\u00ed dr\u00e1hu skupiny Big Band Bogot\u00e1.<\/p>\n

Hudebn\u00ed kompilace nazvan\u00e1 25 let v 25 t\u00e9matech<\/em>, kter\u00e1 je k dispozici na platform\u011b Spotify, p\u0159edstavuje reperto\u00e1r region\u00e1ln\u00edch projekt\u016f pod\u00edlej\u00edc\u00edch se na \u010dtvrt stolet\u00ed trvaj\u00edc\u00edm festivalu. Jde, mimo jin\u00e9, o um\u011blce a skupiny jako Ricardo Gallo Cuarteto, Antonio Arnedo, Oscar Acevedo, Gina Savino, Nowhere Jazz Quintet, Edy Mart\u00ednez, Juan Andr\u00e9s Ospina, Luc\u00eda Pulido a Zaperoco.<\/p>\n

\"\"Soubor deseti partitur Big Band Bogot\u00e1 pak p\u0159in\u00e1\u0161\u00ed podrobnosti o dr\u00e1ze t\u00e9to d\u016fle\u017eit\u00e9 kreativn\u00ed laborato\u0159e, kter\u00e1 sdru\u017euje \u0159adu nejv\u00fdznamn\u011bj\u0161\u00edch skladatel\u016f, hudebn\u00edch aran\u017e\u00e9r\u016f a interpret\u016f jazzov\u00e9 sc\u00e9ny Bogoty. Jedn\u00e1 se z\u00e1rove\u0148 o zaj\u00edmavou pom\u016fcku pro dom\u00e1c\u00ed i zahrani\u010dn\u00ed hudebn\u00edky a v\u00fdzkumn\u00edky, kte\u0159\u00ed tak z\u00edsk\u00e1vaj\u00ed p\u0159\u00edstup k d\u00edl\u016fm jako je El Puente<\/em> od Antonia Arnedy, k symfonii Sinfon\u00eda Municipal IV<\/em> od Edsona Velandii nebo skladb\u011b Baila con el viento<\/em> od Juana Sebasti\u00e1na Monsalveho.<\/p>\n

V neposledn\u00ed \u0159ad\u011b je pro z\u00e1jemce p\u0159ipravena digit\u00e1ln\u00ed kniha, d\u00edky n\u00ed\u017e m\u016f\u017eete poznat historii festivalu a jeho v\u00fdvoj prost\u0159ednictv\u00edm \u010dl\u00e1nk\u016f, kronik, arch\u00edvu fotografi\u00ed, rozhovor\u016f, psan\u00fdch text\u016f, kulturn\u00edch kritik, literatury, hudebn\u00edch v\u00fdzkum\u016f i muzikologie. \u010cten\u00e1\u0159\u016fm tak poskytuje v\u0161estrann\u00fd z\u00e1\u017eitek a interdisciplin\u00e1rn\u00ed pohled na jazzovou sc\u00e9nu v hlavn\u00edm kolumbijsk\u00e9m m\u011bst\u011b i cel\u00e9 zemi.<\/p>\n

Podrobn\u00e9 informace naleznete na str\u00e1nce festivalu: jazzalparque.gov.co<\/a>.<\/p>\n

Dal\u0161\u00ed zdroje: ElNuevoSiglo.com<\/a>. Foto 1<\/a>, foto 2 – 3<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

V leto\u0161n\u00edm roce slav\u00ed zn\u00e1m\u00fd festival Jazz do parku (Jazz al Parque) ji\u017e 25 let. Kv\u016fli p\u0159etrv\u00e1vaj\u00edc\u00ed koronavirov\u00e9 pandemii se v\u0161ak oslavy p\u0159em\u00edstily z parku do virtu\u00e1ln\u00edho sv\u011bta. Akce nazvan\u00e1 Jazz mutante, po\u0159\u00e1dan\u00e1 m\u00edstn\u00edm institutem um\u011bn\u00ed, prov\u00e1z\u00ed z\u00e1jemce histori\u00ed t\u00e9to bogotsk\u00e9 kulturn\u00ed ud\u00e1losti a ukazuje jej\u00ed vliv na rozvoj jazzu nejen v Kolumbii, ale i…<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,4,6],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/10407"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=10407"}],"version-history":[{"count":9,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/10407\/revisions"}],"predecessor-version":[{"id":10422,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/10407\/revisions\/10422"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=10407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=10407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=10407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}