{"id":11524,"date":"2024-11-02T16:45:00","date_gmt":"2024-11-02T15:45:00","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=11524"},"modified":"2025-01-15T17:55:29","modified_gmt":"2025-01-15T16:55:29","slug":"guarneri-trio-prague-v-kolumbii","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2024\/11\/guarneri-trio-prague-v-kolumbii\/","title":{"rendered":"Guarneri Trio Prague v Kolumbii"},"content":{"rendered":"
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Guarneri Trio<\/a>, kter\u00e9 tvo\u0159\u00ed Ivan Kl\u00e1nsk\u00fd (klav\u00edr), \u010cen\u011bk Pavl\u00edk (housle) a Marek Jerie (violoncello), je od sv\u00e9ho zalo\u017een\u00ed v roce 1986 pova\u017eov\u00e1no za jeden z nej\u0161pi\u010dkov\u011bj\u0161\u00edch soubor\u016f v oblasti klasick\u00e9 hudby. Talent t\u011bchto hudebn\u00edk\u016f mohlo ned\u00e1vno ocenit tak\u00e9 kolumbijsk\u00e9 publikum v souvislosti s oslavami roku 2024 jako roku \u010desk\u00e9 hudby. Po vystoupen\u00ed v Medell\u00ednu se trio v ned\u011bli 27. \u0159\u00edjna p\u0159edstavilo tak\u00e9 v men\u0161\u00edm s\u00e1le divadla Teatro Mayor Julio Mario Santo Domingo v Bogot\u011b. <\/p>\n\n\n\n

Rok \u010desk\u00e9 hudby se slav\u00ed od roku 1924 ka\u017ed\u00fdch deset let. Jedn\u00e1 se o p\u0159\u00edle\u017eitost p\u0159ipomenout si a o\u017eivit velk\u00e1 d\u00edla \u010desk\u00fdch skladatel\u016f. \u0158ada hudebn\u00edk\u016f po\u0159\u00e1d\u00e1 turn\u00e9 po cel\u00e9m sv\u011bt\u011b, aby pouk\u00e1zali na v\u00fdro\u010d\u00ed narozen\u00ed jedn\u00e9 z uzn\u00e1van\u00fdch ikon \u010desk\u00e9 hudby – Bed\u0159icha Smetany (1824-1884).<\/p>\n\n\n\n

A pr\u00e1v\u011b jedno z nejv\u00fdznamn\u011bj\u0161\u00edch d\u011bl skladatelova \u017eivota zazn\u011blo v pod\u00e1n\u00ed Guarneri Trio tak\u00e9 v kolumbijsk\u00e9m hlavn\u00edm m\u011bst\u011b. Klav\u00edrn\u00ed trio g moll, op. 15<\/em>, slo\u017eil velik\u00e1n \u010desk\u00e9 hudby kr\u00e1tce po smrti sv\u00e9 dcerky Bed\u0159i\u0161ky, kter\u00e1 zem\u0159ela ve v\u011bku pouh\u00fdch \u010dty\u0159 let. Podle um\u011blc\u016f bylo toto d\u00edlo \u201ejeho zp\u016fsobem, jak hudebn\u011b zpracovat tuto tragickou ztr\u00e1tu, ani\u017e by se nechal strhnout k zoufalstv\u00ed\u201c<\/em>. A\u010dkoli tedy odr\u00e1\u017e\u00ed bolest a nostalgii, je z\u00e1rove\u0148 pln\u00e9 \u017eivota a nad\u011bje jako pocta t\u011bm, kte\u0159\u00ed ji\u017e mezi n\u00e1mi nejsou.<\/p>\n\n\n

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Dal\u0161\u00ed dv\u011b odehran\u00e9 skladby pak odr\u00e1\u017eely hudebn\u00ed styl \u010desk\u00fdch zem\u00ed konce 19. a po\u010d\u00e1tku 20. stolet\u00ed. Elegie<\/em> je d\u00edlo, kter\u00e9 talentovan\u00fd houslista a skladatel Josef Suk, Dvo\u0159\u00e1k\u016fv \u017e\u00e1k, zkomponoval v roce 1902. Vych\u00e1z\u00ed z epick\u00e9 b\u00e1sn\u011b vypr\u00e1v\u011bj\u00edc\u00ed o \u010desk\u00e9 historii. Dvo\u0159\u00e1kovo Dumky trio<\/em> vzniklo v roce 1981 jako skladatelova rozlu\u010dka se svou zem\u00ed p\u0159ed odjezdem do New Yorku. Zazn\u011bla tak\u00e9 \u010desk\u00e1 a kolumbijsk\u00e1 hymna.<\/p>\n\n\n\n

Po tomto jedine\u010dn\u00e9m hudebn\u00ed z\u00e1\u017eitku n\u00e1sledoval kr\u00e1tk\u00fd koktejl organizovan\u00fd Velvyslanectv\u00edm \u010cR v Bogot\u011b p\u0159i p\u0159\u00edle\u017eitosti st\u00e1tn\u00edho sv\u00e1tku 28. \u0159\u00edjna.<\/p>\n\n\n\n

Zdroj: TeatroMayor.org<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Guarneri Trio, kter\u00e9 tvo\u0159\u00ed Ivan Kl\u00e1nsk\u00fd (klav\u00edr), \u010cen\u011bk Pavl\u00edk (housle) a Marek Jerie (violoncello), je od sv\u00e9ho zalo\u017een\u00ed v roce 1986 pova\u017eov\u00e1no za jeden z nej\u0161pi\u010dkov\u011bj\u0161\u00edch soubor\u016f v oblasti klasick\u00e9 hudby. Talent t\u011bchto hudebn\u00edk\u016f mohlo ned\u00e1vno ocenit tak\u00e9 kolumbijsk\u00e9 publikum v souvislosti s oslavami roku 2024 jako roku \u010desk\u00e9 hudby. Po vystoupen\u00ed v Medell\u00ednu se…<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,4,20,6],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/11524"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=11524"}],"version-history":[{"count":5,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/11524\/revisions"}],"predecessor-version":[{"id":11532,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/11524\/revisions\/11532"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=11524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=11524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=11524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}