{"id":4401,"date":"2015-05-24T20:15:16","date_gmt":"2015-05-24T18:15:16","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=4401"},"modified":"2015-05-26T11:04:23","modified_gmt":"2015-05-26T09:04:23","slug":"kolumbie-oceneni-filmovy-festival-v-cannes","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2015\/05\/kolumbie-oceneni-filmovy-festival-v-cannes\/","title":{"rendered":"Kolumbie skl\u00edz\u00ed \u00fasp\u011bch na Filmov\u00e9m festivalu v Cannes"},"content":{"rendered":"<p>Leto\u0161n\u00ed 68. ro\u010dn\u00edk Mezin\u00e1rodn\u00edho filmov\u00e9ho festivalu v Cannes se stal mezn\u00edkem v kolumbijsk\u00e9 kinematografii. P\u0159inesl toti\u017e d\u016fle\u017eit\u00e9 ocen\u011bn\u00ed kolumbijsk\u00e9mu re\u017eis\u00e9rovi <strong>C\u00e9saru Augustu Acevedovi<\/strong>, kter\u00fd za sv\u016fj celove\u010dern\u00ed sn\u00edmek <em><strong>La Tierra y la Sombra<\/strong><\/em> (Zem\u011b a st\u00edn) z\u00edskal od odborn\u00e9 poroty cenu <strong>Camera d\u2019Or<\/strong>, ud\u011blovanou za nejlep\u0161\u00ed debut. Nez\u00e1visle na tomto hlavn\u00edm \u00fasp\u011bchu byl film ocen\u011bn tak\u00e9 spole\u010dnost\u00ed autor\u016f a publikem.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-4405\" title=\"Cannes\" src=\"https:\/\/asocheca.org\/cz\/wp-content\/uploads\/2015\/05\/Cannes.png\" alt=\"\" width=\"405\" height=\"252\" srcset=\"https:\/\/asocheca.org\/cz\/wp-content\/uploads\/2015\/05\/Cannes.png 405w, https:\/\/asocheca.org\/cz\/wp-content\/uploads\/2015\/05\/Cannes-300x186.png 300w\" sizes=\"(max-width: 405px) 100vw, 405px\" \/>Sn\u00edmek, uveden\u00fd v r\u00e1mci sekce T\u00fdden kritiky, vypr\u00e1v\u00ed p\u0159\u00edb\u011bh kolumbijsk\u00e9ho farm\u00e1\u0159e, kter\u00fd opustil p\u0159ed let sv\u016fj dom\u016f, ale nyn\u00ed se vrac\u00ed do rodn\u00e9ho kraje v \u00fadol\u00ed Cauca, aby str\u00e1vil posledn\u00ed dny \u017eivota se sv\u00fdm um\u00edraj\u00edc\u00edm synem. Star\u00e1 se tak o n\u011bj, zat\u00edmco jeho \u017eena a snacha pracuj\u00ed na poli s cukrovou t\u0159tinou.<\/p>\n<p>Pocity ve filmu \u010dasto p\u0159edb\u00edhaj\u00ed vypr\u00e1v\u011bn\u00ed, kter\u00e9 postupuje jen pomalu, aby umo\u017enilo hlavn\u00edm hrdin\u016fm uv\u011bdomit si sv\u00e9 vlastn\u00ed emoce. Jedn\u00e1 se o poetick\u00e9 d\u00edlo, kdy protagonist\u00e9 moc nemluv\u00ed, proto\u017ee vlastn\u011b \u017eij\u00ed uzav\u0159eni jak na dan\u00e9m m\u00edst\u011b, tak ve sv\u00fdch citech.<\/p>\n<p>Samotn\u00fd autor, kter\u00fd za\u010dal na filmu pracovat u\u017e v pr\u016fb\u011bhu studi\u00ed na univerzit\u011b, cht\u011bl dle vlastn\u00edch slov uk\u00e1zat, co za\u017e\u00edv\u00e1 osoba, kter\u00e1 se vrac\u00ed na dob\u0159e zn\u00e1m\u00e9 m\u00edsto, kter\u00e9 se v\u0161ak mezit\u00edm v\u00fdrazn\u011b zm\u011bnilo. Z\u00e1rove\u0148 je to p\u0159\u00edb\u011bh boje za pos\u00edlen\u00ed vz\u00e1jemn\u00fdch vztah\u016f v r\u00e1mci rodiny a boje proti podmaniv\u00e9 s\u00edle pokroku, kter\u00e1 se sna\u017e\u00ed zni\u010dit p\u016fvodn\u00ed prost\u0159ed\u00ed.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4407\" title=\"Cannes2\" src=\"https:\/\/asocheca.org\/cz\/wp-content\/uploads\/2015\/05\/Cannes2.png\" alt=\"\" width=\"352\" height=\"275\" srcset=\"https:\/\/asocheca.org\/cz\/wp-content\/uploads\/2015\/05\/Cannes2.png 391w, https:\/\/asocheca.org\/cz\/wp-content\/uploads\/2015\/05\/Cannes2-300x234.png 300w\" sizes=\"(max-width: 352px) 100vw, 352px\" \/>Pot\u00e9, co Acevedo p\u0159evzal cenu z rukou americk\u00e9ho herce Johna C. Reillyho, v\u011bnoval sv\u00e9 ocen\u011bn\u00ed nejen sv\u00e9 rodin\u011b, ale taky v\u0161em kolumbijsk\u00fdm vesni\u010dan\u016fm. Zvl\u00e1\u0161tn\u00ed pod\u011bkov\u00e1n\u00ed pat\u0159ilo i jeho pracovn\u00edmu t\u00fdmu a porot\u011b v \u010dele s francouzskou here\u010dkou Sabine Azema.<\/p>\n<p>C\u00edlem je te\u010f film dostate\u010dn\u011b propagovat tak, aby ho vid\u011blo co nejv\u00edce lid\u00ed. S\u00e1m Acevedo se chce vr\u00e1tit do Kolumbie a pokra\u010dovat v psan\u00ed nov\u00e9ho filmu zam\u011b\u0159en\u00e9ho na dopady n\u00e1sil\u00ed v Kolumbii. Jak zmi\u0148uj\u00ed d\u016fle\u017eit\u00e9 osobnosti sv\u011bta filmu, z\u00e1sadn\u00ed p\u0159\u00ednos Aceveda spo\u010d\u00edv\u00e1 v tom, \u017ee se sna\u017e\u00ed ud\u011blat filmy lid\u0161t\u011bj\u0161\u00ed, vzd\u00e1lit se od my\u0161lenky, \u017ee u filmu nepot\u0159ebujeme nic pro\u017e\u00edvat ani myslet, ale pouze se bavit.<\/p>\n<p>Krom\u011b v\u00edt\u011bzn\u00e9ho filmu se festivalu \u00fa\u010dastnily i dal\u0161\u00ed sn\u00edmky, konkr\u00e9tn\u011b\u00a0<em>Alias Mar\u00eda<\/em> a <em>El abrazo de la serpiente<\/em> (Objet\u00ed hada), a projekt <em>El concursante<\/em> (Sout\u011b\u017e\u00edc\u00ed).<\/p>\n<p>Zdroj: <a href=\"http:\/\/www.eltiempo.com\/entretenimiento\/cine-y-tv\/la-tierra-y-la-sombra-gana-camara-de-oro-en-cannes\/15814956\">ElTiempo.com<\/a>\u00a0(foto1). <a href=\"http:\/\/www.elpais.com.co\/elpais\/cultura\/noticias\/tierra-y-sombra-caleno-cesar-acevedo-gano-camara-oro-cannes\">Foto2<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leto\u0161n\u00ed 68. ro\u010dn\u00edk Mezin\u00e1rodn\u00edho filmov\u00e9ho festivalu v Cannes se stal mezn\u00edkem v kolumbijsk\u00e9 kinematografii. P\u0159inesl toti\u017e d\u016fle\u017eit\u00e9 ocen\u011bn\u00ed kolumbijsk\u00e9mu re\u017eis\u00e9rovi C\u00e9saru Augustu Acevedovi, kter\u00fd za sv\u016fj celove\u010dern\u00ed sn\u00edmek La Tierra y la Sombra (Zem\u011b a st\u00edn) z\u00edskal od odborn\u00e9 poroty cenu Camera d\u2019Or, ud\u011blovanou za nejlep\u0161\u00ed debut. Nez\u00e1visle na tomto hlavn\u00edm \u00fasp\u011bchu byl film ocen\u011bn&#8230;<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,4,6],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/4401"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=4401"}],"version-history":[{"count":10,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/4401\/revisions"}],"predecessor-version":[{"id":4414,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/4401\/revisions\/4414"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=4401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=4401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=4401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}