{"id":6757,"date":"2017-08-08T09:24:11","date_gmt":"2017-08-08T07:24:11","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=6757"},"modified":"2017-09-09T19:51:57","modified_gmt":"2017-09-09T17:51:57","slug":"vystava-obrazku-deti-terezin-muzeum-zenu-monteria","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2017\/08\/vystava-obrazku-deti-terezin-muzeum-zenu-monteria\/","title":{"rendered":"V\u00fdstava obr\u00e1zk\u016f d\u011bt\u00ed z Terez\u00edna ve m\u011bst\u011b Monter\u00eda"},"content":{"rendered":"

Muzeum Zen\u00fa orientovan\u00e9 na sou\u010dasn\u00e9 um\u011bn\u00ed<\/strong> a zn\u00e1m\u00e9 pod svou zkratkou MUZAC<\/strong>, kter\u00e9 s\u00eddl\u00ed ve m\u011bst\u011b Monter\u00eda, hlavn\u00edm m\u011bst\u011b kraje C\u00f3rdoba, zve na zah\u00e1jen\u00ed v\u00fdstavy V\u017edy budu \u017e\u00edt… obr\u00e1zky d\u011bt\u00ed z Terez\u00edna a Monter\u00ede.<\/strong><\/em> Projekt prob\u00edh\u00e1 ve spolupr\u00e1ci s Asociac\u00ed \u010desko-kolumbijsk\u00e9ho p\u0159\u00e1telstv\u00ed (Asocheca) a za podpory \u017didovsk\u00e9ho muzea v Praze. V\u00fdstava bude ofici\u00e1ln\u011b zah\u00e1jena dne 10. srpna 2017 od 18:30 hodin<\/strong> v s\u00e1le Auditorio Ronda del Sin\u00fa.<\/p>\n

\"\"<\/p>\n

V\u00fdstava p\u0159in\u00e1\u0161\u00ed uk\u00e1zku 80 d\u011bl vytvo\u0159en\u00fdch d\u011btmi z Terez\u00edna, ale tak\u00e9 z n\u011bkolika \u010dtvrt\u00ed m\u011bsta Monter\u00eda, konkr\u00e9tn\u011b ze \u010dtvrti Villa Jim\u00e9nez, Nueva Bel\u00e9n, Para\u00edso, Cantaclaro, Villa Paz, Nueva Jerusal\u00e9n, Vereda Tropical, Los Colores, Chechenia a La Gloria.<\/p>\n

Jak uv\u00e1d\u00ed Cristo Hoyos<\/strong>, um\u011blec, kur\u00e1tor a zakladatel muzea MUZAC:<\/p>\n

Na z\u00e1klad\u011b jin\u00fdch kontext\u016f, \u010dasu i podm\u00ednek umo\u017en\u00ed projekt \u0161irok\u00e9 ve\u0159ejnosti zamyslet se nad odpov\u011bdnost\u00ed spole\u010denosti v\u016f\u010di neblah\u00fdm rozhodnut\u00edm jejich v\u016fdc\u016f a z\u00e1rove\u0148 objevit velikost a s\u00edlu lidsk\u00e9 p\u0159irozenosti, zejm\u00e9na u d\u011bt\u00ed. T\u00edmto zp\u016fsobem v\u00fdstava poukazuje na plen\u011bn\u00ed, nelidsk\u00e9 podm\u00ednky, ale umo\u017e\u0148uje tak\u00e9 znovu nal\u00e9zt d\u016fstojnost a schopnost nevzd\u00e1vat se sn\u016f.<\/p>\n

\"\"Na po\u010d\u00e1tku 40. let (1941) nacist\u00e9 prom\u011bnili m\u011bste\u010dko Terez\u00edn v modelov\u00e9 ghetto<\/em>, tj. v \u010dl\u00e1nek monstru\u00f3zn\u00edho pl\u00e1nu vyhlazen\u00ed, kter\u00fd st\u00e1l \u017eivot \u0161est mili\u00f3n\u016f \u017did\u016f v cel\u00e9 Evrop\u011b a tak\u00e9 15 tis\u00edc d\u011bt\u00ed, kter\u00e9 t\u00e1borem pro\u0161ly. V tomto odporn\u00e9m a nelehk\u00e9m prost\u0159ed\u00ed, do kter\u00e9ho byly posl\u00e1ny tis\u00edce vys\u00eddlenc\u016f pron\u00e1sledovan\u00fdch kv\u016fli rasov\u00fdm, sexu\u00e1ln\u00edm, intelektu\u00e1ln\u00edm rys\u016fm \u010di kv\u016fli fyzick\u00e9mu a ment\u00e1ln\u00edmu posti\u017een\u00ed, vznikla specifick\u00e1 a rozmanit\u00e1 kulturn\u00ed atmosf\u00e9ra, v r\u00e1mci kter\u00e9 se odehr\u00e1valy nejr\u016fzn\u011bj\u0161\u00ed divadeln\u00ed p\u0159edstaven\u00ed, koncerty v\u00e1\u017en\u00e9 i popul\u00e1rn\u00ed hudby, konference, organizovaly se knihovny, vyd\u00e1valy \u010dasopisy a v\u00fdrazn\u00fdm zp\u016fsobem kvetla i literatura a v\u00fdtvarn\u00e9 um\u011bn\u00ed.<\/p>\n

Um\u011blkyn\u011b Friedl Dicker-Brandejsov\u00e1, kter\u00e1 zem\u0159ela v koncentra\u010dn\u00edm t\u00e1bo\u0159e v Osv\u011btimi, se stala u\u010ditelkou um\u011bn\u00ed pro tyto d\u011bti a dos\u00e1hla nejen v\u00fdsledk\u016f v podob\u011b, kter\u00e9 jsou k vid\u011bn\u00ed na v\u00fdstav\u011b organizovan\u00e9 muzeem, ale byla tak\u00e9 pr\u016fkopnic\u00ed oboru dnes zn\u00e1m\u00e9ho jako um\u011bn\u00ed-terapie<\/em>, tedy techniky, kter\u00e1 umo\u017enila zm\u00edrnit dopad ot\u0159esn\u00fdch podm\u00ednek, ve kter\u00fdch b\u011bhem v\u00e1lky tyto d\u011bti \u017eily.<\/p>\n

\"\"Srovn\u00e1vat bolestn\u00e1 um\u011bleck\u00e1 sv\u011bdectv\u00ed, kter\u00e1 uchov\u00e1v\u00e1 \u017didovsk\u00e9 muzeum v Praze, s pracemi d\u011bt\u00ed, kter\u00e9 ob\u00fdvaj\u00ed zalidn\u011bn\u00e9 \u010dtvrti m\u011bsta Monter\u00eda, by se mohlo zd\u00e1t nepat\u0159i\u010dn\u00e9, proto\u017ee \u017eivoty t\u011bchto d\u011bt\u00ed se v mnoha aspektech li\u0161\u00ed od ne\u0161\u0165astn\u00e9ho osudu d\u011bt\u00ed z Terez\u00edna. Nicm\u00e9n\u011b pokud vezmeme v \u00favahu ozbrojen\u00fd konflikt a fenom\u00e9ny n\u00e1sil\u00ed, kter\u00e9 Kolumbijci za\u017eili t\u00e9m\u011b\u0159 od t\u00e9 sam\u00e9 doby, kdy prob\u011bhla v\u00e1lka v Evrop\u011b, a fakt, \u017ee m\u011bsto Monter\u00eda p\u0159ijalo velk\u00e9 mno\u017estv\u00ed vys\u00eddlenc\u016f, spole\u010dn\u00e9 aspekty je mo\u017en\u00e9 nal\u00e9zt. MUZAC jako kulturn\u00ed instituce p\u0159ij\u00edm\u00e1 a za\u0161ti\u0165uje tuto tichou, ale mocnou manifestaci mal\u00fdch v\u011bz\u0148\u016f a ob\u011bt\u00ed obou n\u00e1rod\u016f, tento proc\u00edt\u011bn\u00fd panel iluz\u00ed, fantazi\u00ed a nad\u011bj\u00ed, a to se smutkem a bolest\u00ed, ale p\u0159edev\u0161\u00edm s odpov\u011bdnost\u00ed a c\u00edlem nedopustit zapomn\u011bn\u00ed ani lhostejnost.<\/p>\n

Dal\u0161\u00ed zdroje:\u00a0Foto 1<\/a>\u00a0(Terez\u00edn),\u00a0foto 2<\/a>\u00a0(MUZAC).<\/p>\n","protected":false},"excerpt":{"rendered":"

Muzeum Zen\u00fa orientovan\u00e9 na sou\u010dasn\u00e9 um\u011bn\u00ed a zn\u00e1m\u00e9 pod svou zkratkou MUZAC, kter\u00e9 s\u00eddl\u00ed ve m\u011bst\u011b Monter\u00eda, hlavn\u00edm m\u011bst\u011b kraje C\u00f3rdoba, zve na zah\u00e1jen\u00ed v\u00fdstavy V\u017edy budu \u017e\u00edt… obr\u00e1zky d\u011bt\u00ed z Terez\u00edna a Monter\u00ede. Projekt prob\u00edh\u00e1 ve spolupr\u00e1ci s Asociac\u00ed \u010desko-kolumbijsk\u00e9ho p\u0159\u00e1telstv\u00ed (Asocheca) a za podpory \u017didovsk\u00e9ho muzea v Praze. V\u00fdstava bude ofici\u00e1ln\u011b zah\u00e1jena dne…<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,4,20,6],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/6757"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=6757"}],"version-history":[{"count":9,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/6757\/revisions"}],"predecessor-version":[{"id":6818,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/6757\/revisions\/6818"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=6757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=6757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=6757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}