{"id":7328,"date":"2018-03-17T16:45:05","date_gmt":"2018-03-17T15:45:05","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=7328"},"modified":"2018-03-25T19:51:01","modified_gmt":"2018-03-25T17:51:01","slug":"bogota-iberoamericky-divadelni-festival-2","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2018\/03\/bogota-iberoamericky-divadelni-festival-2\/","title":{"rendered":"Bogota \u017eije divadlem"},"content":{"rendered":"

\"\"Po dvou letech a navzdory finan\u010dn\u00edm probl\u00e9m\u016fm si mohou obyvatele i n\u00e1v\u0161t\u011bvn\u00edci hlavn\u00edho kolumbijsk\u00e9ho m\u011bsta op\u011bt vychutnat 17 dn\u00ed pln\u00fdch divadeln\u00edch a pouli\u010dn\u00edch p\u0159edstaven\u00ed, um\u011bn\u00ed, ale hlavn\u011b magie a z\u00e1bavy. Leto\u0161n\u00ed 16. ro\u010dn\u00edk Iberoamerick\u00e9ho divadeln\u00edho festivalu<\/strong>, zn\u00e1m\u00e9ho pod zkratkou FITB<\/strong>, se odehr\u00e1v\u00e1 od 16. b\u0159ezna do 1. dubna<\/strong>.\u00a0V r\u00e1mci motta A\u0165 za\u010dne show<\/em> oslav\u00ed festival z\u00e1rove\u0148 i kulatiny, proto\u017ee ji\u017e uplynulo 30 let od doby, kdy se tato jedine\u010dn\u00e1 kulturn\u00ed akce po\u0159\u00e1dala poprv\u00e9.<\/p>\n

Na programu figuruje 48 divadeln\u00edch p\u0159edstaven\u00ed, v r\u00e1mci kter\u00fdch p\u0159edvedou sv\u016fj talent opravdov\u00e9 sv\u011btov\u00e9 hv\u011bzdy divadeln\u00edch prken. Nechyb\u00ed klasick\u00e1 d\u00edla, ale ani experiment\u00e1ln\u00ed divadlo, tanec, hudba \u010di cirkusov\u00e1 a akrobatick\u00e1 vystoupen\u00ed. T\u011b\u0161it se m\u016f\u017eete nejen na m\u00edstn\u00ed um\u011blce, ale tak\u00e9 na d\u00edla divadel nap\u0159\u00edklad z Francie, Loty\u0161ska, Slovinska, It\u00e1lie, \u0160pan\u011blska \u010di Austr\u00e1lie.<\/p>\n

V pr\u016fb\u011bhu sv\u00e9 existence se festival stal i jist\u00fdm druhem m\u011bstsk\u00e9ho karnevalu. Ostatn\u011b jeho zah\u00e1jen\u00ed se v\u017edy nese v duchu pr\u016fvodu pln\u00e9ho barev, hudby, tance i cirkusov\u00fdch kousk\u016f. I letos se centrum Bogoty prom\u011bnilo v jedno velk\u00e9 p\u00f3dium d\u00edky 500 um\u011blc\u016fm, kte\u0159\u00ed vzdali poctu kolumbijsk\u00e9 divadeln\u00ed sc\u00e9n\u011b. Pr\u016fvod vt\u00e1hnul do sv\u00e9ho v\u00edru i p\u0159ihl\u00ed\u017eej\u00edc\u00ed ve\u0159ejnost a po necel\u00e9m kilometru dorazil a\u017e na hlavn\u00ed n\u00e1m\u011bst\u00ed Simona Bol\u00edvara.<\/p>\n

\"\"V roli \u010destn\u00e9ho hosta letos p\u0159ijeli um\u011blci z Argentiny, zem\u011b, kter\u00e1 se py\u0161n\u00ed jednou z nejd\u016fle\u017eit\u011bj\u0161\u00edch divadeln\u00edch tradic a jej\u00ed\u017e sc\u00e9na je proslaven\u00e1 take svou avantgardou, originalitou a diverzitou d\u011bl a \u017e\u00e1nr\u016f. I v d\u0159\u00edv\u011bj\u0161\u00edch ro\u010dn\u00edc\u00edch festivalu byly argentinsk\u00e9 divadeln\u00ed soubory zastoupeny, letos div\u00e1ky \u010dek\u00e1 celkem dev\u011bt her zpracovan\u00fdch soubory z Buenos Aires, Santa Fe, Mendoza a Neuqu\u00e9n.<\/p>\n

Celkov\u011b je nab\u00eddka opravdu pestr\u00e1. Shl\u00e9dnout m\u016f\u017eete nap\u0159\u00edklad zv\u00e1\u0161tn\u00ed psychedelick\u00fd rockov\u00fd koncert \u00a0Muar\u00e9<\/em> dopln\u011bn\u00fd barvami, kruhy a zobrazen\u00edmi jin\u00fdch dimenz\u00ed. P\u0159edstaven\u00ed se odehr\u00e1v\u00e1 v b\u00fd\u010d\u00ed ar\u00e9n\u011b Santamar\u00eda kousek od centra m\u011bsta.<\/p>\n

Pro tebe<\/em> (Per Te<\/em>) je n\u00e1zev p\u0159edstaven\u00ed, kter\u00fdm \u0161v\u00fdcarsk\u00fd soubor Finzi Pasca vzd\u00e1v\u00e1 hold Julii Hamelien, man\u017eelce re\u017eis\u00e9ra a zakladatele souboru. Daniele Finzi Pasca pat\u0159\u00ed k leto\u0161n\u00edm v\u00fdznamn\u00fdm host\u016fm. Jeho d\u00edlo vypr\u00e1v\u00ed o smutku, bolesti ze ztr\u00e1ty bl\u00edzk\u00e9ho a partnersk\u00e9 intimit\u011b a to v prost\u0159ed\u00ed tance, akrobacie a klaunovsk\u00fdch vystoupen\u00ed. Klasick\u00e9 drama Henricka Ibsena Nep\u0159\u00edtel lidu<\/em> (Enemigo del pueblo<\/em>) ve zpracov\u00e1n\u00ed mexick\u00e9 divadeln\u00ed spole\u010dnosti p\u0159ipomene p\u0159\u00edb\u011bh vesnice, kter\u00e1 \u017eije z p\u0159\u00edjm\u016f l\u00e1zn\u00ed a koupel\u00ed, jejich\u017e voda je v\u0161ak kontaminovan\u00e1. Nizozemsk\u00fd soubor Ulrike Quade uv\u00e1d\u00ed hru inspirovanou m\u00f3dn\u00ed legendou Coco Chanel.<\/p>\n

\"\"<\/p>\n

Slovinec Tomaz Pandur pat\u0159il k dramaturg\u016fm a re\u017eis\u00e9r\u016fm, kte\u0159\u00ed se do festivalu zapojili snad nejv\u00edce. Nicm\u00e9n\u011b v roce 2016 zem\u0159el ve v\u011bku 53 let na infarkt, tak\u017ee jeho pam\u00e1tku letos uct\u00ed d\u00edlo Symphony of Sorrowful Songs<\/em> v pod\u00e1n\u00ed baletn\u00ed opery Lubljany.<\/p>\n

Nechyb\u00ed ani p\u0159edstaven\u00ed odr\u00e1\u017eej\u00edc\u00ed soci\u00e1ln\u00ed konflikty star\u00e9ho kontinentu. Ze Slovinska p\u0159ijel soubor Mladinsko Theatre s d\u00edlem Our Violence, Your Violence<\/em> p\u0159ibli\u017euj\u00edc\u00ed uprchlickou krizi, ale tak\u00e9 konfrontuj\u00edc\u00ed zem\u011b, kter\u00e9 zav\u00edraj\u00ed sv\u00e9 hranice, s jejich koloni\u00e1ln\u00ed minulost\u00ed. Kolumbijsko-argentinsk\u00fd pohled na \u017eivot imigrant\u016f v Evrop\u011b p\u0159in\u00e1\u0161\u00ed hra\u00a07 let ml\u010den\u00ed<\/em> (7 a\u0148os de silencio<\/em>), kter\u00e1 poukazuje zejm\u00e9na na emocion\u00e1ln\u00ed st\u0159ety a obt\u00ed\u017ee \u017eivota v ciz\u00ed zemi. \u0160est protagonist\u016f \u0159eck\u00e9ho souboru p\u0159edstav\u00ed nostalgickou hru Late Night<\/em> odehr\u00e1vaj\u00edc\u00ed se v apokalyptick\u00e9m sv\u011bt\u011b Evropy zni\u010den\u00e9 v\u00e1lkou.<\/p>\n

V programu naleznete i kontroverzn\u00ed hry, jako je argentinsk\u00e9 p\u0159edstaven\u00ed Eva Per\u00f3n<\/em>, kter\u00e9 m\u011blo svou premi\u00e9ru v Pa\u0159\u00ed\u017ei v roce 1970 a vyvolalo velk\u00fd skand\u00e1l, proto\u017ee vyobrazuje Evu Per\u00f3n jako transexu\u00e1la. Kolumbijsk\u00e9 d\u00edlo Negra Anger<\/em> p\u0159ipom\u00edn\u00e1 zp\u011bva\u010dku, skladatelku a aktivistku Ninu Simone, ale z\u00e1rove\u0148 je v\u00fdk\u0159ikem proti diskriminaci a uzn\u00e1n\u00edm etnick\u00e9 diverzity v Kolumbii. Na 30 tane\u010dnic se pohybuje v rytmech t\u00e9to jedine\u010dn\u00e9 americk\u00e9 interpretky.<\/p>\n

\"\"D\u011btsk\u00e9 publikum ur\u010dit\u011b pot\u011b\u0161\u00ed podvodn\u00ed sv\u011bt bublin ve vizu\u00e1ln\u011b p\u016fsobiv\u00e9 show, kter\u00e1 vyz\u00fdv\u00e1 k odpojen\u00ed se od technologi\u00ed a odkazuje na klasick\u00e9 d\u011btsk\u00e9 postavi\u010dky jako Pinocchio \u010di Petr Pan.<\/p>\n

Jedna z nejd\u016fle\u017eit\u011bj\u0161\u00edch kulturn\u00edch ud\u00e1lost\u00ed v Kolumbii vznikla v roce 1988 a brzy se stala ikonou mezin\u00e1rodn\u00edho divadeln\u00edho sv\u011bta, kter\u00e1 p\u0159ekro\u010dila jazykov\u00e9, m\u00edstn\u00ed i rasov\u00e9 hranice. Zakladateli byli Ramiro Osorio, b\u00fdval\u00fd \u0159editel Mezin\u00e1rodn\u00edho festivalu Cervantino v Mexiku, a jedine\u010dn\u00e1 podnikatelka a here\u010dka Fanny Mickey, \u017eena, kter\u00e1 st\u00e1la za obrovsk\u00fdm \u00fasp\u011bchem festivalu.\u00a0Akce se po\u0159\u00e1d\u00e1 ka\u017ed\u00e9 dva roky.<\/p>\n

Podrobn\u00fd program a v\u00edce informac\u00ed na ofici\u00e1ln\u00edch str\u00e1nk\u00e1ch festivalu: www.festivaldeteatro.com.co<\/a>.<\/p>\n

Dal\u0161\u00ed zdroje: ElTiempo.com<\/a>, Semana.com<\/a>. Foto 1<\/a>, foto 2<\/a>, foto 3<\/a>, foto 4<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Po dvou letech a navzdory finan\u010dn\u00edm probl\u00e9m\u016fm si mohou obyvatele i n\u00e1v\u0161t\u011bvn\u00edci hlavn\u00edho kolumbijsk\u00e9ho m\u011bsta op\u011bt vychutnat 17 dn\u00ed pln\u00fdch divadeln\u00edch a pouli\u010dn\u00edch p\u0159edstaven\u00ed, um\u011bn\u00ed, ale hlavn\u011b magie a z\u00e1bavy. Leto\u0161n\u00ed 16. ro\u010dn\u00edk Iberoamerick\u00e9ho divadeln\u00edho festivalu, zn\u00e1m\u00e9ho pod zkratkou FITB, se odehr\u00e1v\u00e1 od 16. b\u0159ezna do 1. dubna.\u00a0V r\u00e1mci motta A\u0165 za\u010dne show oslav\u00ed festival…<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,6],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/7328"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=7328"}],"version-history":[{"count":14,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/7328\/revisions"}],"predecessor-version":[{"id":7346,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/7328\/revisions\/7346"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=7328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=7328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=7328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}