{"id":8225,"date":"2019-04-14T04:53:16","date_gmt":"2019-04-14T02:53:16","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=8225"},"modified":"2019-04-16T06:39:17","modified_gmt":"2019-04-16T04:39:17","slug":"novy-dokument-o-kolumbijskem-maliri-sochari-fernando-botero","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2019\/04\/novy-dokument-o-kolumbijskem-maliri-sochari-fernando-botero\/","title":{"rendered":"Nov\u00fd dokument o Fernandu Boterovi"},"content":{"rendered":"

\"\"V\u00a0Kolumbii m\u00e1 v\u00a0t\u011bchto dnech, konkr\u00e9tn\u011b od 11. do 19. dubna<\/strong>, premi\u00e9ru dokument o v\u011bhlasn\u00e9m mal\u00ed\u0159i a socha\u0159i, rod\u00e1kovi z\u00a0kolumbijsk\u00e9ho Medell\u00ednu, Fernandu Boterovi<\/strong>. Proslavil se zejm\u00e9na sv\u00fdm osobit\u00fdm stylem, kter\u00fd vynik\u00e1 zv\u011bt\u0161en\u00fdmi \u010di deformovan\u00fdmi objemy postav i p\u0159edm\u011bt\u016f, kter\u00e9 na prvn\u00ed pohled zaujmou kulat\u00fdmi tvary. Z\u00edskal si tak obdiv a pozitivn\u00ed ohlasy jak z\u00a0\u0159ad kritik\u016f tak od \u0161irok\u00e9 ve\u0159ejnosti. Ve sv\u00fdch d\u00edlech nav\u00edc \u010dasto zpracov\u00e1v\u00e1 i lidsk\u00e1 t\u00e9mata a soci\u00e1ln\u00ed problematiku sv\u00e9 zem\u011b i jin\u00fdch m\u00edst sv\u011bta.<\/p>\n

A pr\u00e1v\u011b \u017eivot, jak profesn\u00ed, tak i ten ka\u017edodenn\u00ed osobn\u00ed, jednoho z\u00a0nejd\u016fle\u017eit\u011bj\u0161\u00edch um\u011blc\u016f 20. stolet\u00ed zachycuje nov\u00fd p\u0159es 80 minut dlouh\u00fd dokument. K\u00a0vid\u011bn\u00ed je v\u00a0t\u011bchto dnech v\u00a0kinech celkem 13 kolumbijsk\u00fdch m\u011bst, konkr\u00e9tn\u011b se prom\u00edt\u00e1 ve m\u011bstech Bogota, Medell\u00edn, Cali, Barranquilla, Cartagena, Bucaramanga, Ibagu\u00e9, Villavicencio, Manizales, Armenia, Popay\u00e1n, Pereira a Monter\u00eda. Nat\u00e1\u010den\u00ed celove\u010dern\u00edho dokumentu trvalo 19 m\u011bs\u00edc\u016f, b\u011bhem kter\u00fdch tv\u016frci zav\u00edtali do 10 r\u016fzn\u00fdch m\u011bst nejen v\u00a0Kolumbii. Nat\u00e1\u010delo se nap\u0159\u00edklad v\u00a0\u010d\u00ednsk\u00e9m Pekingu, v\u00a0New Yorku v\u00a0USA, v\u00a0Pa\u0159\u00ed\u017ei \u010di italsk\u00e9 Pietrasant\u011b, kde m\u00e1 Botero svou rezidenci. Do kin se pak sn\u00edmek dost\u00e1v\u00e1 pr\u00e1v\u011b 70 let od zah\u00e1jen\u00ed Boterovy um\u011bleck\u00e9 kari\u00e9ry. V\u00a0kv\u011btnu bude dokument uveden tak\u00e9 v\u00a0Mexiku \u010di \u0160pan\u011blsku.<\/p>\n

\"\"Za vznikem dokumentu stoj\u00ed n\u00e1pad kanadsk\u00e9ho producenta Dona Millara, kter\u00e9ho nadchla Boterova v\u00fdstava putuj\u00edc\u00ed po t\u0159ech \u010d\u00ednsk\u00fdch m\u011bstech v\u00a0roce 2015. Do p\u0159\u00edpravy se v\u0161ak zapojila tak\u00e9 Boterova rodina a n\u011bkte\u0159\u00ed jemu bl\u00edzc\u00ed lid\u00e9. Boterova dcera Lina se na dokumentu dokonce pod\u00edlela v\u00a0roli v\u00fdkonn\u00e9 producentky a kreativn\u00ed poradkyn\u011b. Podle jejich slov rodina souhlasila s\u00a0nat\u00e1\u010den\u00edm, proto\u017ee si p\u0159\u00e1la, aby lid\u00e9 poznali p\u0159\u00edb\u011bh jejich otce. I kdy\u017e existuj\u00ed snad des\u00edtky dokument\u016f o tomto mezin\u00e1rodn\u011b uzn\u00e1van\u00e9m um\u011blci, m\u00e1lokdy byly k\u00a0vid\u011bn\u00ed v\u00a0jeho rodn\u00e9 zemi. Neexistoval ani \u017e\u00e1dn\u00fd ucelen\u00fd z\u00e1znam o jeho d\u00edle a osob\u011b, proto se krom\u011b nat\u00e1\u010den\u00ed skupina v\u00fdzkumn\u00edk\u016f v\u011bnovala studiu arch\u00edv\u016f o tomto mistrovi. Nav\u00edc pr\u00e1v\u011b d\u00edky aktivn\u00ed \u00fa\u010dasti rodiny se poda\u0159ilo do dokumentu za\u0159adit i p\u0159\u00edb\u011bhy vypr\u00e1v\u011bn\u00e9 samotn\u00fdm um\u011blcem, kter\u00fd b\u011b\u017en\u011b moc r\u00e1d nemluv\u00ed a rad\u011bji nech\u00e1v\u00e1 sv\u00e1 d\u00edla, aby mluvila sama za sebe.<\/p>\n

V\u00a0dokumentu se objev\u00ed v\u00edce ne\u017e 300 Boterov\u00fdch d\u011bl, tak\u017ee div\u00e1k shl\u00e9dn\u011b p\u0159ibli\u017en\u011b 3 jeho d\u00edla za minutu. Sn\u00edmek je tak z\u00e1rove\u0148 intimn\u00ed proch\u00e1zkou mapuj\u00edc\u00ed profesn\u00ed dr\u00e1hu um\u011blce pova\u017eovan\u00e9ho za ikonu v\u00fdtvarn\u00e9ho um\u011bn\u00ed Latinsk\u00e9 Ameriky. P\u0159ibli\u017euje jeho um\u011bleck\u00e9 za\u010d\u00e1tky, ale tak\u00e9 nejv\u011bt\u0161\u00ed \u00fasp\u011bchy v\u00a0r\u016fzn\u00fdch \u010d\u00e1stech sv\u011bta komentovan\u00e9 jeho vlastn\u00edm hlasem \u010di jeho nejbli\u017e\u0161\u00edmi. Div\u00e1ci poznaj\u00ed v\u0161echna d\u016fle\u017eit\u00e1 m\u00edsta, kde se rozv\u00edjel a odehr\u00e1val jeho um\u011bleck\u00fd \u017eivot, jako je italsk\u00e1 Florencie, kde studoval na um\u011bleck\u00e9 akademii, Pa\u0159\u00ed\u017e, kde se inspiroval d\u00edly v muzeu Louvre, \u010di hlavn\u00ed m\u011bsto Mexika, kde za\u010dal naplno tvo\u0159it sv\u00fdm charakteristick\u00fdm stylem. Ukazuje um\u011blce ale i v\u00a0jeho d\u00edln\u011b p\u0159i tvorb\u011b nov\u00fdch d\u011bl.<\/p>\n

\"\"Z\u00e1rove\u0148 se zam\u011b\u0159uje i na ne tolik zn\u00e1m\u00e9 detaily z\u00a0jeho \u017eivota, nap\u0159\u00edklad na obrovsk\u00fd vliv, kter\u00fd m\u011bl na jeho charakteristick\u00fd um\u011bleck\u00fd styl jeho otec. Uk\u00e1\u017ee i dopad tragick\u00e9 smrti jeho \u010dty\u0159let\u00e9ho syna Pedra v\u00a0roce 1974 v\u00a0Madridu, kdy se po cel\u00fd n\u00e1sleduj\u00edc\u00ed rok Botero ve sv\u00fdch malb\u00e1ch zam\u011b\u0159il \u010dist\u011b na ztv\u00e1rn\u011bn\u00ed sv\u00e9ho syna. Div\u00e1ci se dozv\u00ed tak\u00e9 o frustraci, kterou Botero pro\u017e\u00edval kv\u016fli tomu, \u017ee nezapadal do tradi\u010dn\u00edch um\u011bleck\u00fdch hnut\u00ed, nebo o v\u00fdjime\u010dn\u00e9 skromnosti, lidskosti a v\u00fdborn\u00e9m smyslu pro humor, kter\u00fd se skr\u00fdv\u00e1 za jeho odm\u011b\u0159en\u00fdm v\u00fdrazem v\u00a0obli\u010deji.<\/p>\n

Fernando Botero se narodil 19. dubna roku 1932 v\u00a0kolumbijsk\u00e9m Medell\u00ednu. I kdy\u017e ve 40. letech minul\u00e9ho stolet\u00ed nebyla dr\u00e1ha um\u011blce pova\u017eov\u00e1na za zrovna presti\u017en\u00ed povol\u00e1n\u00ed, rodi\u010de Fernanda jeho z\u00e1m\u011br a v\u00e1\u0161e\u0148 podpo\u0159ili. Um\u011bleckou kari\u00e9ru zah\u00e1jil jako ilustr\u00e1tor liter\u00e1rn\u00ed p\u0159\u00edlohy medell\u00ednsk\u00e9ho den\u00edku El Colombiano, kdy\u017e byl je\u0161t\u011b adolescentem. V\u00a0roce 1951, tedy ve sv\u00fdch 19 letech, si splnil sv\u016fj prvn\u00ed sen, kdy\u017e v\u00a0Bogot\u011b p\u0159edstavil svou prvn\u00ed samostatnou v\u00fdstavu maleb v\u00a0Galerii Leo Matiz. Kr\u00e1tk\u00fd \u010das \u017eil v\u00a0severokolumbijsk\u00e9m m\u011bste\u010dku Tol\u00fa, kde vznikl obraz Naproti mo\u0159e<\/em>, kter\u00fd byl n\u00e1sledn\u011b oce\u0148en v\u00a0mal\u00ed\u0159sk\u00e9 sout\u011b\u017ei. Botero pot\u00e9 odcestoval do Evropy, kde i kr\u00e1tce studoval na um\u011bleck\u00fdch akademi\u00edch ve \u0161pan\u011blsk\u00e9m Madridu a italsk\u00e9 Florencii, pob\u00fdval tak\u00e9 v\u00a0Barcelon\u011b \u010di v\u00a0Pa\u0159\u00ed\u017ei. Vzd\u011bl\u00e1val se v\u0161ak p\u0159ev\u00e1\u017en\u011b jako samouk \u010detbou, n\u00e1v\u0161t\u011bvou evropsk\u00fdch muze\u00ed a p\u0159edev\u0161\u00edm samotnou malbou.<\/p>\n

\"\"V\u00a0cest\u00e1ch pak pokra\u010doval do Mexika, New Yorku a Washingtonu, obdob\u00ed bohat\u00e9 na novou tvorbu, ale chud\u00e9 na ekonomick\u00e9 prost\u0159edky. Po n\u00e1vratu do Kolumbie z\u00edskal dal\u0161\u00ed ocen\u011bn\u00ed, osvobodil se od d\u0159\u00edv\u011bj\u0161\u00edho vzd\u00e1len\u00e9ho vlivu mexick\u00e9ho muralismu, inspiroval se um\u011blci italsk\u00e9 renesance a jeho styl se konsolidoval. Od roku 1964 zah\u00e1jil tak\u00e9 prvn\u00ed pr\u00e1ce v\u00a0oblasti socha\u0159stv\u00ed, od roku 1975 se pak tomuto odv\u011btv\u00ed v\u011bnoval naplno. V\u00a0devades\u00e1t\u00fdch letech n\u00e1sledovaly obrovsk\u00e9 v\u00fdstavy v\u00a0Pa\u0159\u00ed\u017ei, New Yorku, Buenos Aires \u010di Madridu.<\/p>\n

Z\u00a0prvn\u00edho man\u017eelstv\u00ed s\u00a0ned\u00e1vno zesnulou\u00a0kulturn\u00ed mana\u017eerkou jm\u00e9nem Gloria Zea m\u00e1 t\u0159i d\u011bti: Fernando je politikem za Kolumbijskou liber\u00e1ln\u00ed stranu, Juan Carlos je spisovatelem a Lina pracovala jako televizn\u00ed moder\u00e1torka. Ani dnes ve v\u011bku t\u00e9m\u011b\u0159 87 let se Botero nevzd\u00e1lil od sv\u00e9ho \u0159emesla. Jeden den m\u016f\u017ee ukon\u010dit obrovskou v\u00fdstavu a n\u00e1sleduj\u00edc\u00ed den u\u017e od brzk\u00fdch rann\u00edch hodin pracuje ve sv\u00e9 d\u00edln\u011b na nov\u00e9m d\u00edle. Fernando Botero pat\u0159\u00ed tak\u00e9\u00a0 k\u00a0v\u00fdznamn\u00fdm filantrop\u016fm, kdy \u0159adu sv\u00fdch d\u011bl v\u011bnoval rodn\u00e9 zemi i jin\u00fdm pro n\u011bj v\u00fdznamn\u00fdm m\u00edst\u016fm.<\/p>\n

Zdroje: ElTiempo.com-1<\/a>, ElTiempo.com-2<\/a>, Portafolio.co<\/a>, Historia-biografia.com<\/a>. Foto 1<\/a>, foto 2<\/a>, foto 3<\/a>, foto 4<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00a0Kolumbii m\u00e1 v\u00a0t\u011bchto dnech, konkr\u00e9tn\u011b od 11. do 19. dubna, premi\u00e9ru dokument o v\u011bhlasn\u00e9m mal\u00ed\u0159i a socha\u0159i, rod\u00e1kovi z\u00a0kolumbijsk\u00e9ho Medell\u00ednu, Fernandu Boterovi. Proslavil se zejm\u00e9na sv\u00fdm osobit\u00fdm stylem, kter\u00fd vynik\u00e1 zv\u011bt\u0161en\u00fdmi \u010di deformovan\u00fdmi objemy postav i p\u0159edm\u011bt\u016f, kter\u00e9 na prvn\u00ed pohled zaujmou kulat\u00fdmi tvary. Z\u00edskal si tak obdiv a pozitivn\u00ed ohlasy jak z\u00a0\u0159ad kritik\u016f tak…<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,6,3],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/8225"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=8225"}],"version-history":[{"count":16,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/8225\/revisions"}],"predecessor-version":[{"id":8245,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/8225\/revisions\/8245"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=8225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=8225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=8225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}