{"id":8920,"date":"2020-01-10T09:33:46","date_gmt":"2020-01-10T08:33:46","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=8920"},"modified":"2020-01-13T03:03:02","modified_gmt":"2020-01-13T02:03:02","slug":"festival-hudby-mesta-cartagena-v-plnem-proudu","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2020\/01\/festival-hudby-mesta-cartagena-v-plnem-proudu\/","title":{"rendered":"Festival hudby m\u011bsta Cartagena v pln\u00e9m proudu"},"content":{"rendered":"

\"\"Koloni\u00e1ln\u00ed perla kolumbijsk\u00e9ho pob\u0159e\u017e\u00ed Karibiku pat\u0159\u00ed k\u00a0nejnav\u0161t\u011bvovan\u011bj\u0161\u00edm m\u00edst\u016fm v\u00a0Kolumbii. V\u00a0lednu nav\u00edc l\u00e1k\u00e1 na n\u011bkolik zaj\u00edmav\u00fdch kulturn\u00edch akc\u00ed, p\u0159i\u010dem\u017e tou prvn\u00ed je zn\u00e1m\u00fd mezin\u00e1rodn\u00ed festival v\u00e1\u017en\u00e9 hudby, kter\u00fd prob\u00edh\u00e1 od 4. do 12. ledna<\/strong>. Orchestr\u00e1ln\u00ed a komorn\u00ed hudba, vok\u00e1ln\u00ed reperto\u00e1r, kter\u00fd spojuje hudbu a poezii, ale i alternativn\u00ed iniciativy, to v\u0161e \u010dek\u00e1 v\u00a0t\u011bchto dnech n\u00e1v\u0161t\u011bvn\u00edky jedn\u00e9 z\u00a0nejd\u016fle\u017eit\u011bj\u0161\u00edch hudebn\u00edch akc\u00ed Latinsk\u00e9 Ameriky.<\/p>\n

Leto\u0161n\u00ed 14. ro\u010dn\u00edk p\u0159itom p\u0159in\u00e1\u0161\u00ed na 35 koncert\u016f za \u00fa\u010dasti kolem 200 hudebn\u00edk\u016f, kte\u0159\u00ed rozezn\u00ed magick\u00e9 prost\u0159ed\u00ed m\u011bsta Cartagena v\u00a0duchu motta To kr\u00e1sn\u00e9 a to v\u00fdjime\u010dn\u00e9<\/em>. Prvn\u00ed \u010d\u00e1st motta odkazuje na obdob\u00ed klasicismu a velik\u00e1ny sv\u011btov\u00e9 hudby Haydna a Mozarta. Druh\u00e1 \u010d\u00e1st se vztahuje k\u00a0p\u0159echodu klasicismu v\u00a0romantickou citlivost, ke kter\u00e9mu do\u0161lo ve V\u00eddni mezi druhou polovinou 18. a prvn\u00ed polovinou 19. stolet\u00ed, s\u00a0Beethovenem a Schubertem jako kl\u00ed\u010dov\u00fdmi p\u0159edstaviteli tohoto obdob\u00ed. Nicm\u00e9n\u011b hlavn\u00ed programovou linii tvo\u0159\u00ed pr\u00e1v\u011b d\u00edlo Franze Schuberta, kter\u00fd se narodil na konci ledna 1797 ve V\u00eddni v\u00a0hudebn\u00ed rodin\u011b. Ji\u017e ve t\u0159in\u00e1cti letech za\u010dal skl\u00e1dat prvn\u00ed kvarteta a komorn\u00ed d\u00edla, v\u00a0\u0161estn\u00e1cti letech slo\u017eil svou prvn\u00ed symfonii a operu. I p\u0159es sv\u016fj kr\u00e1tk\u00fd \u017eivot, zem\u0159el ve v\u011bku pouh\u00fdch 31 let, zvl\u00e1dnul slo\u017eit bezpo\u010det d\u011bl. Na festivalu zazn\u00ed p\u011bt z\u00a0jeho dev\u00edti symfoni\u00ed, komorn\u00ed skladby a dva cykly tzv. lieder<\/em>, tedy kr\u00e1tk\u00fdch skladeb, kter\u00e9 kombinuj\u00ed poezii, zp\u011bv a klav\u00edr.<\/p>\n

\"\"Na programu figuruje \u0159ada zaj\u00edmav\u00fdch um\u011blc\u016f mezin\u00e1rodn\u00edho form\u00e1tu, zn\u00e1m\u00fdch svou specifickou a inovativn\u00ed interpretac\u00ed skladeb. Mezi nimi vynik\u00e1 zejm\u00e9na amsterdamsk\u00fd orchestr Camerata Royal Concertgebouw nebo rakousk\u00fd Camerata Salzburg, orchestr ov\u011bn\u010den\u00fd \u0159adou mezin\u00e1rodn\u00edch cen. Do Cartageny zav\u00edtal tak\u00e9 italsk\u00fd klav\u00edrista Andrea Lucchesini, dnes pova\u017eovan\u00fd za jednoho z\u00a0p\u0159edn\u00edch interpret\u016f Schubertova d\u00edla, sopranistka Mart\u00edna Fender \u010di mezzosopranistka Elisabeth Kulman, ob\u011b z\u00a0Rakouska.<\/p>\n

Nechyb\u00ed ale ani vynikaj\u00edc\u00ed kolumbij\u0161t\u00ed um\u011blci jako bogotsk\u00fd rod\u00e1k Adri\u00e1n Chamorro, houslista a \u0159editel Filharmonick\u00e9ho orchestru m\u011bsta Cali, violon\u010delista Santiago Ca\u0148\u00f3n-Valencia, kter\u00fd v\u00a0lo\u0148sk\u00e9m roce z\u00edskal st\u0159\u00edbrnou medaili v\u00a0mezin\u00e1rodn\u00ed sout\u011b\u017ei, harfista Elvis D\u00edaz, zp\u011bva\u010dka Paola Leguizam\u00f3n \u010di trumpetista Juan Pablo Nore\u0148a. Houslista a u\u010ditel hudby Leonardo Federico Hoyos, kter\u00fd pat\u0159\u00ed v\u016fbec k\u00a0t\u011bm nejv\u00fdznamn\u011bj\u0161\u00edm v\u00a0r\u00e1mci Latinsk\u00e9 Ameriky, studoval v\u00a0Moskv\u011b, N\u011bmecku i rodn\u00e9 Kolumbii. Nyn\u00ed p\u016fsob\u00ed jako profesor na Hudebn\u00ed konzervato\u0159i N\u00e1rodn\u00ed univerzity Kolumbie a na uzn\u00e1van\u00e9 soukrom\u00e9 univerzit\u011b Universidad de los Andes. Od roku 2013 je nav\u00edc um\u011bleck\u00fdm a hudebn\u00edm \u0159editelem Ml\u00e1de\u017enick\u00e9 filharmonie Komory Bogoty.<\/p>\n

\"\"Z\u00a0orchestr\u016f stoj\u00ed za zm\u00ednku Komorn\u00ed orchestr Kolumbie, zalo\u017een\u00fd kolumbijsko n\u011bmeck\u00fdm houslistou Frankem Preussem v\u00a0roce 1976. Nov\u00e1 verze orchestru z\u00a0roku 2019 je tvo\u0159en\u00e1 v\u00fdte\u010dn\u00fdmi um\u011blci. Pot\u011b\u0161\u00ed sv\u00fdm debutem pr\u00e1v\u011b publikum festivalu v\u00a0Cartagen\u011b a to reperto\u00e1rem kolumbijsk\u00fdch skladatel\u016f. Ml\u00e1de\u017enick\u00fd filharmonick\u00fd orchestr Kolumbie je z\u00e1rove\u0148 soci\u00e1ln\u00edm projektem, kter\u00fd podporuje \u017eivotn\u00ed sm\u011b\u0159ov\u00e1n\u00ed mlad\u00fdch hudebn\u00edk\u016f. Obdobn\u011b iniciativa Symfonick\u00e9ho orchestru Cartageny podporuje mlad\u00e9 hudebn\u00edky, aby zlep\u0161ili sv\u00e9 schopnosti a z\u00edskali p\u0159\u00edm\u00e9 um\u011bleck\u00e9 zku\u0161enosti.<\/p>\n

Festival letos p\u0159in\u00e1\u0161\u00ed tak\u00e9 n\u011bkolik novinek. Jednou z\u00a0nich je nov\u00fd prostor vyhrazen\u00fd latinskoamerick\u00e9 hudb\u011b, nazvan\u00fd Zn\u00ed Ji\u017en\u00ed Amerika<\/em> (Suena Suram\u00e9rica<\/em>), kde se setk\u00e1vaj\u00ed zku\u0161enosti, n\u00e1pady, iniciativy, produkce i um\u011blci kontinentu. Tento prostor m\u00e1 p\u011bt podkategori\u00ed, konkr\u00e9tn\u011b koncerty latinskoamerick\u00e9 s\u00e9rie, v\u00fdzkumn\u00e9 laborato\u0159e, hudebn\u00ed workshopy, v\u00edce\u00fa\u010delov\u00fd s\u00e1l a v\u00fdstavu Expo M\u00fasica<\/em>. Pon\u011bkud riskantn\u00ed, ale zaj\u00edmav\u00fd experiment spo\u010d\u00edv\u00e1 v\u00a0za\u0159azen\u00ed vystoupen\u00ed Julia Victorii, skladatele elektronick\u00e9 hudby. Ten uvede speci\u00e1ln\u00ed d\u00edlo, ve kter\u00e9m sm\u00eds\u00ed svou zku\u0161enost s\u00a0elektronickou hudbou s\u00a0um\u011bn\u00edm 20\u010dlenn\u00e9ho komorn\u00edho orchestru.<\/p>\n

\"\"Prob\u00edhaj\u00ed tak\u00e9 hudebn\u00ed besedy jako ta s\u00a0italsk\u00fdm skladatelem a klav\u00edristou Giovannim Biettim \u010di britsk\u00fdm tenorem a muziologem Ianem Bostridgem. Doprovodn\u00fd akademick\u00fd program zahrnuje d\u00e1le konference a prezentace v\u00fdzkum\u016f z\u00e1stupc\u016f univerzit a dal\u0161\u00edch hudebn\u00edch instituc\u00ed. \u00da\u010dastn\u00edci se mohou setkat s\u00a0n\u011bkter\u00fdmi um\u011blci, vyzkou\u0161et si n\u011bjak\u00fd hudebn\u00ed n\u00e1stroj \u010di z\u00edskat informace o sou\u010dasn\u00e9 nab\u00eddce hudebn\u00edch fakult v\u00a0zemi. V\u00a0r\u00e1mci jedn\u00e9 z\u00a0besed z\u00e1stupci Googlu mimo jin\u00e9 vysv\u011btl\u00ed, jak na maximum vyu\u017e\u00edt kan\u00e1lu YouTube k\u00a0p\u0159edveden\u00ed sv\u00e9 pr\u00e1ce.<\/p>\n

Podrobn\u011bj\u0161\u00ed informace z\u00edsk\u00e1te na str\u00e1nce festivalu: cartagenamusicfestival.com<\/a>.<\/p>\n

Dal\u0161\u00ed zdroje: Semana.com<\/a>, Noticias.CanalRcn.com<\/a>. Foto 1<\/a>, foto 2<\/a>, foto 3<\/a>, foto 4<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Koloni\u00e1ln\u00ed perla kolumbijsk\u00e9ho pob\u0159e\u017e\u00ed Karibiku pat\u0159\u00ed k\u00a0nejnav\u0161t\u011bvovan\u011bj\u0161\u00edm m\u00edst\u016fm v\u00a0Kolumbii. V\u00a0lednu nav\u00edc l\u00e1k\u00e1 na n\u011bkolik zaj\u00edmav\u00fdch kulturn\u00edch akc\u00ed, p\u0159i\u010dem\u017e tou prvn\u00ed je zn\u00e1m\u00fd mezin\u00e1rodn\u00ed festival v\u00e1\u017en\u00e9 hudby, kter\u00fd prob\u00edh\u00e1 od 4. do 12. ledna. Orchestr\u00e1ln\u00ed a komorn\u00ed hudba, vok\u00e1ln\u00ed reperto\u00e1r, kter\u00fd spojuje hudbu a poezii, ale i alternativn\u00ed iniciativy, to v\u0161e \u010dek\u00e1 v\u00a0t\u011bchto dnech n\u00e1v\u0161t\u011bvn\u00edky jedn\u00e9…<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,4,6],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/8920"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=8920"}],"version-history":[{"count":8,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/8920\/revisions"}],"predecessor-version":[{"id":8932,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/8920\/revisions\/8932"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=8920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=8920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=8920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}