{"id":9031,"date":"2020-02-18T20:47:53","date_gmt":"2020-02-18T19:47:53","guid":{"rendered":"https:\/\/asocheca.org\/cz\/?p=9031"},"modified":"2020-03-19T14:18:40","modified_gmt":"2020-03-19T13:18:40","slug":"blizi-se-nejvetsi-kolumbijsky-karneval-barranquilla","status":"publish","type":"post","link":"https:\/\/asocheca.org\/cz\/2020\/02\/blizi-se-nejvetsi-kolumbijsky-karneval-barranquilla\/","title":{"rendered":"Bl\u00ed\u017e\u00ed se nejv\u011bt\u0161\u00ed kolumbijsk\u00fd karneval"},"content":{"rendered":"

\"\"Po um\u011bleck\u00e9m karnevalu na po\u010d\u00e1tku m\u011bs\u00edce (v\u00edce informac\u00ed zde<\/a>) vrchol\u00ed p\u0159\u00edpravy na v\u016fbec nejv\u011bt\u0161\u00ed a nejv\u00fdznamn\u011bj\u0161\u00ed karnevalovou akci nejen ve m\u011bst\u011b, ale i v\u00a0cel\u00e9 zemi. Od 22. do 25. \u00fanora<\/strong> se m\u011bsto Barranquilla<\/strong> roztan\u010d\u00ed v\u00a0pestr\u00fdch barv\u00e1ch i rytmech, proto\u017ee jak \u0159\u00edk\u00e1 dlouholet\u00e9 motto karnevalu: kdo ho \u017eije je ten, kdo si ho u\u017e\u00edv\u00e1!<\/em><\/p>\n

Tato jedine\u010dn\u00e1 akce, zapsan\u00e1 pro svou autenti\u010dnost i na seznam nehmotn\u00e9ho d\u011bdictv\u00ed lidstva pod z\u00e1\u0161titou Unesco, vznikla z m\u00ed\u0161en\u00ed indi\u00e1nsk\u00e9, \u010derno\u0161sk\u00e9 i b\u011blo\u0161sk\u00e9 kultury. Karneval se tak vyzna\u010duje rozmanitost\u00ed folkl\u00f3rn\u00edch vyj\u00e1d\u0159en\u00ed. Ka\u017ed\u00e1 maska, tanec, kost\u00fdm \u010di p\u0159evlek, kter\u00e9 jsou k\u00a0vid\u011bn\u00ed b\u011bhem t\u011bchto dn\u00ed, maj\u00ed sv\u016fj v\u00fdznam. Ten se m\u016f\u017ee ukr\u00fdvat v\u00a0n\u011bjak\u00e9 sou\u010dasn\u00e9 ud\u00e1losti, ned\u00e1vn\u00e9m p\u0159\u00edpadu na poli n\u00e1rodn\u00ed politiky \u010di kapitoly americk\u00e9ho kontinentu v\u00a0dob\u00e1ch kolonie. V\u00a0ulic\u00edch se m\u00eds\u00ed fantazie, individu\u00e1ln\u00ed i kolektivn\u00ed kreativita, lesk kost\u00fdm\u016f a jedine\u010dn\u00e9 choreografie \u00fa\u017easn\u00fdch tane\u010dn\u00edk\u016f, kter\u00fdm nesch\u00e1z\u00ed energie a el\u00e1n ani ve \u010dty\u0159iceti stup\u0148ov\u00fdch teplot\u00e1ch.<\/p>\n

N\u00e1v\u0161t\u011bvn\u00edci se mohou t\u011b\u0161it na typick\u00e9 masky a postavy karnevalov\u00e9ho vesel\u00ed. Symbolem karnevalu je bezpochyby postava nazvan\u00e1\u00a0Marimonda<\/em>, zn\u00e1m\u00e1 dlouh\u00fdm nosem, velk\u00fdmi kruhy v\u00a0oblasti o\u010d\u00ed a zvl\u00e1\u0161tn\u00edm eroticky lad\u011bn\u00fdm tvarem pusy. P\u016fvodn\u011b postava definovala typick\u00e9ho zdej\u0161\u00edho vesel\u00e9ho a chud\u00e9ho obyvatele, dodnes pak vyjad\u0159uje postoj obyvatel kolumbijsk\u00e9ho pob\u0159e\u017e\u00ed, kter\u00fdm je vlastn\u00ed v\u00fdsm\u011bch i trocha toho vym\u00fd\u0161len\u00ed si. Typick\u00e9 legra\u010dn\u00ed pohyby a gesta dod\u00e1vaj\u00ed p\u0159evleku osobnost.<\/p>\n

\"\"<\/p>\n

Kr\u00e1lovnu karnevalu vol\u00ed rada po\u0159adatel\u016f ka\u017ed\u00fd rok, ta se pak \u00fa\u010dastn\u00ed v\u0161ech d\u016fle\u017eit\u00fdch ud\u00e1lost\u00ed karnevalov\u00fdch dn\u00ed. Pon\u011bkud \u0161\u00edlen\u011b m\u016f\u017ee p\u016fsobit postava zn\u00e1m\u00e1 jako Mar\u00eda Mo\u0148itos<\/em>, kter\u00e1 v\u0161echny kolem obj\u00edm\u00e1, l\u00edb\u00e1 a odhaluje nejhor\u0161\u00ed tajemstv\u00ed partner\u016fm, tedy pokud nedostane \u0159\u00e1dn\u011b zaplaceno. Tato drbna, kter\u00e1 tvo\u0159\u00ed ned\u00edlnou sou\u010d\u00e1st karnevalu ji\u017e v\u00edce ne\u017e 30 let, zn\u00e1zor\u0148uje nestydat\u00e9ho, v\u00fdst\u0159edn\u00edho a n\u00e1padn\u00e9ho obyvatele pob\u0159e\u017e\u00ed. Indi\u00e1nsk\u00e9 obyvatelstvo \u010dasto zastupuje postava tzv. indi\u00e1na \u010derven\u00e9 k\u016f\u017ee<\/em> nebo mohyk\u00e1na.<\/p>\n

Jedn\u00edm z\u00a0nejtypi\u010dt\u011bj\u0161\u00edch tanc\u016f je Tanec Kong\u016f<\/em>, jeho\u017e p\u016fvod poch\u00e1z\u00ed z\u00a0doby kolonie, kdy do kolumbijsk\u00e9ho Karibiku dorazili prvn\u00ed afri\u010dt\u00ed \u010derno\u0161i. Tento pouli\u010dn\u00ed tanec zn\u00e1zor\u0148uje africk\u00e9 bojovn\u00e9 kmeny. Obdobn\u00fd je i tanec Garabatos<\/em>, v\u00a0r\u00e1mci kter\u00e9ho se s\u00a0ironi\u00ed a sarkasmem p\u0159edv\u00e1d\u00ed boj mezi \u017eivotem a smrt\u00ed. T\u00edmto tancem se \u010derno\u0161\u0161t\u00ed otroci ban\u00e1nov\u00fdch firem nejen vysm\u00edvali sv\u00fdm p\u00e1n\u016fm, ale tak\u00e9 sv\u00e9 vlastn\u00ed nep\u0159\u00edzniv\u00e9 situaci, p\u0159\u00edrod\u011b, pr\u00e1ci, boh\u016fm, smrti a v\u0161emu, co nach\u00e1zeli kolem. Sou\u010d\u00e1st\u00ed tance tak je i postava Smrti<\/em>, kter\u00e1 je pora\u017eena \u017eivotem a \u0161t\u011bst\u00edm. To ov\u0161em neznamen\u00e1, \u017ee by tato postava nebyla p\u0159\u00edtomna i v\u00a0dal\u0161\u00edch dnech oslav, i v\u00a0z\u00e1v\u011bre\u010dn\u00e9m poh\u0159ebn\u00edm pr\u016fvodu se sna\u017e\u00ed znovu povstat, ale nikdy nezv\u00edt\u011bz\u00ed nad vesel\u00edc\u00edm se davem.<\/p>\n

\"\"Hned v\u00a0prvn\u00edm dni karnevalu (22.2.) projde pr\u016fvod trasu dlouhou \u010dty\u0159i a p\u016fl kilometru. Krom\u011b tradi\u010dn\u00edch tanc\u016f a p\u0159evlek\u016f se p\u0159ihl\u00ed\u017eej\u00edc\u00ed mohou t\u011b\u0161it tak\u00e9 na velk\u00e9 alegorick\u00e9 vozy a zejm\u00e9na na velkou pohyblivou strukturu, kter\u00e1 poveze Kr\u00e1lovnu, nejo\u010dek\u00e1van\u011bj\u0161\u00ed figuru cel\u00e9 akce. Toto setk\u00e1n\u00ed je zn\u00e1m\u00e9 jako Bitva kv\u011btin<\/em> a odkazuje sv\u00fdm n\u00e1zvem na ud\u00e1losti roku 1903, kdy m\u00edstn\u00ed gener\u00e1l p\u0159i\u0161el s\u00a0iniciativou vytvo\u0159it pr\u016fvod, v\u00a0r\u00e1mci kter\u00e9ho by se rozhazovaly kv\u011btiny, ve snaze zapomenout na prob\u00edhaj\u00edc\u00ed v\u00e1lku.<\/p>\n

Na stejn\u00e9m m\u00edst\u011b, kter\u00e9 je v pr\u016fb\u011bhu karnevalu ozna\u010dov\u00e1no za cumbiadrom<\/em>, se v ned\u011bli (23.2.) odehraje Velk\u00e1 zast\u00e1vka tradic<\/em>, kde m\u016f\u017ee publikum shl\u00e9dnout nejr\u016fzn\u011bj\u0161\u00ed typy tanc\u016f a masek. Emoce a nad\u0161en\u00ed pokra\u010duj\u00ed i v\u00a0pond\u011bl\u00ed (24.2.) dnem\u00a0Velk\u00e9 zast\u00e1vky fantazie<\/em>. Tane\u010dn\u00ed skupiny a spolky se p\u0159edstav\u00ed v\u00a0z\u00e1\u0159iv\u00fdch kost\u00fdmech a sv\u00fdmi avantgardn\u00edmi choreografiemi p\u0159ibl\u00ed\u017e\u00ed sou\u010dasn\u00e9 tendence. V\u0161echny tyto pr\u016fvody jsou k\u00a0vid\u011bn\u00ed z\u00a0okoln\u00edch pavla\u010d\u00ed a tribun, kter\u00e9 je nutn\u00e9 si zarezervovat prost\u0159ednictv\u00edm turistick\u00fdch agentur. V\u00a0n\u011bkter\u00fdch \u010d\u00e1stech m\u011bsta jsou p\u0159ichyst\u00e1ny tak\u00e9 \u017eidle k\u00a0pronajmut\u00ed.<\/p>\n

Z\u00e1v\u011br festivalu (25.2.) pak tradi\u010dn\u011b pat\u0159\u00ed Joselitovi a symbolick\u00e9mu poh\u0159ebn\u00edmu pr\u016fvodu. Lid\u00e9 se simulovan\u00fdm smute\u010dn\u00edm pr\u016fvodem lou\u010d\u00ed s touto postavou, kter\u00e1 um\u00edr\u00e1 po \u010dty\u0159denn\u00edm velk\u00e9m fl\u00e1mov\u00e1n\u00ed. Vypr\u00e1v\u00ed se, \u017ee tento zdej\u0161\u00ed obyvatel natolik miloval karneval, \u017ee se u\u017e od soboty ztratil z\u00a0domova a ve velk\u00e9m slavil, \u00fa\u010dastnil se pr\u016fvod\u016f a vesel\u00ed, nav\u00edc v\u017edy s\u00a0lahv\u00ed rumu v\u00a0ruce.<\/p>\n

\"\"Kdy\u017e byl pak p\u0159\u00edbuzn\u00fdmi nalezen v \u00fater\u00fd na ulici, mysleli si, \u017ee je mrtv\u00fd. Proto mu p\u0159ipravili poh\u0159eb a kdy\u017e s jeho t\u011blem proch\u00e1zeli ulicemi, Joselito se ze sv\u00e9ho opileck\u00e9ho sp\u00e1nku probudil s t\u00edm, \u017ee nen\u00ed mrtv\u00fd, \u017ee byl jen na fl\u00e1mu. Tato historka se tak ka\u017edoro\u010dn\u011b p\u0159ipom\u00edn\u00e1 pr\u016fvodem mu\u017e\u016f a \u017een p\u0159evle\u010den\u00fdch do vdovsk\u00fdch \u0161at\u016f, kte\u0159\u00ed oplak\u00e1vaj\u00ed opil\u00e9ho Joselita\u00a0a lou\u010d\u00ed se s\u00a0kon\u010d\u00edc\u00edm festivalem.<\/p>\n

M\u011bsto ale \u017eije karnevalem u\u017e p\u0159ed jeho ofici\u00e1ln\u00edm zah\u00e1jen\u00edm. Nap\u0159\u00edklad 20. \u00fanora prob\u011bhne korunovace kr\u00e1lovny a koncert legend\u00e1rn\u00edho hudebn\u00edka \u017e\u00e1nru salsa z\u00a0Panamy, Rub\u00e9na Bladese. O den pozd\u011bji vystoup\u00ed na velk\u00e9m no\u010dn\u00edm koncertu \u0159ada zn\u00e1m\u00fdch zp\u011bv\u00e1k\u016f a um\u011blc\u016f jako Ricky Martin, Carlos Vives, Checo Asocta \u010di Jessi Uribe. Ti, kter\u00e9 sp\u00ed\u0161 zaj\u00edmaj\u00ed tradice a folkl\u00f3r, se mohou zaposlouchat do t\u011bchto rytm\u016f na n\u00e1m\u011bst\u00ed m\u00edru v\u00a0r\u00e1mci akce Noche de Tamb\u00f3<\/em>. Zatan\u010dit si zcela zdarma m\u016f\u017eete d\u00edky programu Tan\u010d\u00ed ulice<\/em>. V\u00a0pr\u016fb\u011bhu karnevalu pak nab\u00edz\u00ed doprovodn\u00fd program s\u00a0koncerty a vystoupen\u00edmi i \u0159ada hotel\u016f, diskot\u00e9k \u010di rekrea\u010dn\u00edch center ve m\u011bst\u011b.<\/p>\n

Podrobn\u011bj\u0161\u00ed informace o jednotliv\u00fdch hlavn\u00edch i doprovodn\u00fdch akc\u00edch naleznete na str\u00e1nce: carnavaldebarranquilla.org<\/a>.<\/p>\n

Dal\u0161\u00ed zdroje: ElTiempo.com-1<\/a>, ElTiempo.com-2<\/a>. Foto 1<\/a>, foto 2<\/a>, foto 3<\/a>, foto 4<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Po um\u011bleck\u00e9m karnevalu na po\u010d\u00e1tku m\u011bs\u00edce (v\u00edce informac\u00ed zde) vrchol\u00ed p\u0159\u00edpravy na v\u016fbec nejv\u011bt\u0161\u00ed a nejv\u00fdznamn\u011bj\u0161\u00ed karnevalovou akci nejen ve m\u011bst\u011b, ale i v\u00a0cel\u00e9 zemi. Od 22. do 25. \u00fanora se m\u011bsto Barranquilla roztan\u010d\u00ed v\u00a0pestr\u00fdch barv\u00e1ch i rytmech, proto\u017ee jak \u0159\u00edk\u00e1 dlouholet\u00e9 motto karnevalu: kdo ho \u017eije je ten, kdo si ho u\u017e\u00edv\u00e1! Tato jedine\u010dn\u00e1…<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9,10,4,6,15],"tags":[],"_links":{"self":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/9031"}],"collection":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/comments?post=9031"}],"version-history":[{"count":15,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/9031\/revisions"}],"predecessor-version":[{"id":9077,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/posts\/9031\/revisions\/9077"}],"wp:attachment":[{"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/media?parent=9031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/categories?post=9031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asocheca.org\/cz\/wp-json\/wp\/v2\/tags?post=9031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}